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January 31, 2015
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2015 SUNDANCE FILM FESTIVAL ANNOUNCES FEATURE FILM AWARDS
Grand Jury Prizes go to The Wolfpack, Me and Earl and the Dying Girl,
The Russian Woodpecker and Slow West
Audience Awards go to Meru, Me and Earl and the Dying Girl, Dark Horse, Umrika and James White
Park City, UT — Sundance Institute this evening announced the feature film Jury, Audience and other special
awards of the 2015 Sundance Film Festival. The awards, celebrating artistry, innovation and adventure in
independent filmmaking, were presented at the Festival’s Awards Ceremony, hosted by Tig Notaro in Park City,
Utah; full video of the ceremony is at youtube.com/sff. The ceremony is the culmination of the 2015 Festival,
which presented 123 feature-length and 60 short films – selected from 12,166 submissions – to independent filmloving audiences in Park City, Salt Lake City, Ogden and Sundance, Utah.
The competition juries select films from their respective sections to receive a range of awards. New this year,
jurors were asked to give an increased number of special jury prizes recognizing excellence in the craft of
filmmaking as they deemed appropriate. The Waldo Salt Screenwriting Award is still given to a U.S. Dramatic film
for excellence in screenwriting. Audience awards are also bestowed upon films in each section.
This year’s jurors were: U.S. Documentary Competition: Eugene Hernandez, Kirsten Johnson, Michele Norris,
Gordon Quinn and Roger Ross Williams; U.S. Dramatic Competition: Lance Acord, Sarah Flack, Cary Fukunaga,
Winona Ryder and Edgar Wright; World Cinema Documentary Competition: Elena Fortes Acosta, Mark Cousins
and Ingrid Kopp; World Cinema Dramatic Competition: Mia Hanson-Løve, Col Needham and Taika Waititi; Short
Film: K.K. Barrett, Alia Shawkat and Autumn de Wilde; and Alfred P. Sloan Feature Film Prize Jury (Science in
Film): Paula Apsell, Janna Levin, Brit Marling, Jonathan Nolan and Adam Steltzner.
The U.S. Grand Jury Prize: Documentary was presented by Gordon Quinn to:
The Wolfpack / U.S.A. (Director: Crystal Moselle) — Six bright teenage brothers have spent their entire lives
locked away from society in a Manhattan housing project. All they know of the outside is gleaned from the movies
they watch obsessively (and re-create meticulously). Yet as adolescence looms, they dream of escape, ever more
urgently, into the beckoning world.
The U.S. Grand Jury Prize: Dramatic was presented by Edgar Wright to:
Me and Earl and the Dying Girl / U.S.A. (Director: Alfonso Gomez-Rejon, Screenwriter: Jesse Andrews) — Greg
is coasting through senior year of high school as anonymously as possible, avoiding social interactions like the
plague while secretly making spirited, bizarre films with Earl, his only friend. But both his anonymity and friendship
threaten to unravel when his mother forces him to befriend a classmate with leukemia. Cast: Thomas Mann, RJ
Cyler, Olivia Cooke, Nick Offerman, Connie Britton, Molly Shannon.
The World Cinema Grand Jury Prize: Documentary was presented by Mark Cousins to:
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The Russian Woodpecker / United Kingdom (Director: Chad Gracia) — A Ukrainian victim of the Chernobyl
nuclear disaster discovers a dark secret and must decide whether to risk his life by revealing it, amid growing
clouds of revolution and war.
The World Cinema Grand Jury Prize: Dramatic was presented by Col Needham to:
Slow West / United Kingdom, New Zealand (Director and screenwriter: John Maclean) — Set at the end of the
nineteenth century, 16-year-old Jay Cavendish journeys across the American frontier in search of the woman he
loves. He is joined by Silas, a mysterious traveler, and hotly pursued by an outlaw along the way. Cast: Kodi SmitMcPhee, Michael Fassbender, Ben Mendelsohn, Caren Pistorius, Rory McCann.
The Audience Award: U.S. Documentary, Presented by Acura was presented by Adam Scott to:
Meru / U.S.A. (Directors: Jimmy Chin, E. Chai Vasarhelyi) — Three elite mountain climbers sacrifice everything
but their friendship as they struggle through heartbreaking loss and nature’s harshest elements to attempt the
never-before-completed Shark’s Fin on Mount Meru, the most coveted first ascent in the dangerous game of
Himalayan big wall climbing.
The Audience Award: U.S. Dramatic, Presented by Acura was presented by Kevin Pollak to:
Me and Earl and the Dying Girl / U.S.A. (Director: Alfonso Gomez-Rejon, Screenwriter: Jesse Andrews) — Greg
is coasting through senior year of high school as anonymously as possible, avoiding social interactions like the
plague while secretly making spirited, bizarre films with Earl, his only friend. But both his anonymity and friendship
threaten to unravel when his mother forces him to befriend a classmate with leukemia. Cast: Thomas Mann, RJ
Cyler, Olivia Cooke, Nick Offerman, Connie Britton, Molly Shannon.
The Audience Award: World Cinema Documentary was presented by Patrick Fugit to:
Dark Horse / United Kingdom (Director: Louise Osmond) — Dark Horse is the inspirational true story of a group
of friends from a workingman's club who decide to take on the elite "sport of kings" and breed themselves a
racehorse.
The Audience Award: World Cinema Dramatic was presented by Patrick Fugit to:
Umrika / India (Director and screenwriter: Prashant Nair) — When a young village boy discovers that his brother,
long believed to be in America, has actually gone missing, he begins to invent letters on his behalf to save their
mother from heartbreak, all the while searching for him. Cast: Suraj Sharma, Tony Revolori, Smita Tambe, Adil
Hussain, Rajesh Tailang, Prateik Babbar.
The Audience Award: NEXT, Presented by Adobe was presented by Kevin Corrigan to:
James White / U.S.A. (Director and screenwriter: Josh Mond) — A young New Yorker struggles to take control
of his reckless, self-destructive behavior in the face of momentous family challenges. Cast: Chris Abbott, Cynthia
Nixon, Scott Mescudi, Makenzie Leigh, David Call.
The Directing Award: U.S. Documentary was presented by Roger Ross Williams to:
Matthew Heineman for Cartel Land / U.S.A., Mexico (Director: Matthew Heineman) — In this classic western set
in the twenty-first century, vigilantes on both sides of the border fight the vicious Mexican drug cartels. With
unprecedented access, this character-driven film provokes deep questions about lawlessness, the breakdown of
order, and whether citizens should fight violence with violence.
The Directing Award: U.S. Dramatic was presented by Cary Fukunaga to:
Robert Eggers for The Witch / U.S.A., Canada (Director and screenwriter: Robert Eggers) — New England in
the 1630s: William and Katherine lead a devout Christian life with five children, homesteading on the edge of an
impassable wilderness. When their newborn son vanishes and crops fail, the family turns on one another. Beyond
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their worst fears, a supernatural evil lurks in the nearby wood. Cast: Anya Taylor Joy, Ralph Ineson, Kate Dickie,
Harvey Scrimshaw, Lucas Dawson, Ellie Grainger.
The Directing Award: World Cinema Documentary was presented by Elena Fortes to:
Kim Longinotto for Dreamcatcher / United Kingdom (Director: Kim Longinotto) — Dreamcatcher takes us into a
hidden world seen through the eyes of one of its survivors, Brenda Myers-Powell. A former teenage prostitute,
Brenda defied the odds to become a powerful advocate for change in her community. With warmth and humor,
Brenda gives hope to those who have none.
The Directing Award: World Cinema Dramatic was presented by Taika Waititi to:
Alanté Kavaïté for The Summer of Sangaile / Lithuania, France, The Netherlands (Director and screenwriter:
Alanté Kavaïté) — Seventeen-year-old Sangaile is fascinated by stunt planes. She meets a girl her age at the
summer aeronautical show, near her parents’ lakeside villa. Sangaile allows Auste to discover her most intimate
secret and, in the process, finds in her teenage love, the only person that truly encourages her to fly. Cast: Julija
Steponaitytė, Aistė Diržiūtė.
The Waldo Salt Screenwriting Award: U.S. Dramatic was presented by Winona Ryder to:
Tim Talbott for The Stanford Prison Experiment / U.S.A. (Director: Kyle Patrick Alvarez, Screenwriter: Tim
Talbott) — Based on the actual events that took place in 1971, when Stanford professor Dr. Philip Zimbardo
created what became one of the most shocking and famous social experiments of all time. Cast: Billy Crudup,
Ezra Miller, Michael Angarano, Tye Sheridan, Johnny Simmons, Olivia Thirlby.
A U.S. Documentary Special Jury Award for Social Impact was presented by Michele Norris to:
Marc Silver for 3½ MINUTES / U.S.A. (Director: Marc Silver) — On November 23, 2012, unarmed 17-year-old
Jordan Russell Davis was shot at a Jacksonville gas station by Michael David Dunn. 3½ MINUTES explores the
aftermath of Jordan's tragic death, the latent and often unseen effects of racism, and the contradictions of the
American criminal justice system.
A U.S. Documentary Special Jury Award for Vérité Filmmaking was presented by Eugene Hernandez to:
Bill Ross and Turner Ross for Western / U.S.A., Mexico (Directors: Bill Ross, Turner Ross) — For generations,
all that distinguished Eagle Pass, Texas, from Piedras Negras, Mexico, was the Rio Grande. But when darkness
descends upon these harmonious border towns, a cowboy and lawman face a new reality that threatens their way
of life. Western portrays timeless American figures in the grip of unforgiving change.
A U.S. Documentary Special Jury Award for Break Out First Feature was presented by Eugene Hernandez
to:
Lyric R. Cabral and David Felix Sutcliffe for (T)ERROR / U.S.A. (Directors: Lyric R. Cabral, David Felix
Sutcliffe) — With unprecedented access to a covert counterterrorism sting, (T)ERROR develops in real time,
documenting the action as it unfolds on the ground. Viewers get an unfettered glimpse of the government's
counterterrorism tactics and the murky justifications behind them through the perspective of *******, a 63-year-old
Black revolutionary turned FBI informant.
A U.S. Documentary Special Jury Award for Cinematography was presented by Kristen Johnson to:
Matthew Heineman for Cartel Land / U.S.A., Mexico (Director: Matthew Heineman) — In this classic western set
in the twenty-first century, vigilantes on both sides of the border fight the vicious Mexican drug cartels. With
unprecedented access, this character-driven film provokes deep questions about lawlessness, the breakdown of
order, and whether citizens should fight violence with violence.
A U.S. Dramatic Special Jury Award for Excellence in Cinematography was presented by Lance Acord to:
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Brandon Trost for The Diary of a Teenage Girl / U.S.A. (Director and screenwriter: Marielle Heller) — Minnie
Goetze is a 15-year-old aspiring comic-book artist, coming of age in the haze of the 1970s in San Francisco.
Insatiably curious about the world around her, Minnie is a pretty typical teenage girl. Oh, except that she's
sleeping with her mother's boyfriend. Cast: Bel Powley, Alexander Skarsgård, Christopher Meloni, Kristen Wiig.
A U.S. Dramatic Special Jury Award for Excellence in Editing was presented by Sarah Flack to:
Lee Haugen for Dope / U.S.A. (Director and screenwriter: Rick Famuyiwa) — Malcolm is carefully surviving life in
a tough neighborhood in Los Angeles while juggling college applications, academic interviews, and the SAT. A
chance invitation to an underground party leads him into an adventure that could allow him to go from being a
geek, to being dope, to ultimately being himself. Cast: Shameik Moore, Tony Revolori, Kiersey Clemons, Blake
Anderson, Zoë Kravitz, A$AP Rocky.
A U.S. Dramatic Special Jury Award for Collaborative Vision was presented by Winona Ryder to:
Advantageous / U.S.A. (Director: Jennifer Phang, Screenwriters: Jacqueline Kim, Jennifer Phang) — In a nearfuture city where soaring opulence overshadows economic hardship, Gwen and her daughter, Jules, do all they
can to hold on to their joy, despite the instability surfacing in their world. Cast: Jacqueline Kim, James Urbaniak,
Freya Adams, Ken Jeong, Jennifer Ehle, Samantha Kim.
A World Cinema Documentary Special Jury Award for Unparalleled Access was presented by Elena Fortes
to:
The Chinese Mayor / China (Director: Hao Zhou) — Mayor Geng Yanbo is determined to transform the coalmining center of Datong, in China’s Shanxi province, into a tourism haven showcasing clean energy. In order to
achieve that, however, he has to relocate 500,000 residences to make way for the restoration of the ancient city.
A World Cinema Documentary Special Jury Award for Impact was presented by Mark Cousins to:
Pervert Park / Sweden, Denmark (Directors: Frida Barkfors, Lasse Barkfors) — Pervert Park follows the
everyday lives of sex offenders in a Florida trailer park as they struggle to reintegrate into society, and try to
understand who they are and how to break the cycle of sex crimes being committed.
A World Cinema Documentary Special Jury Award for Editing was presented by Ingrid Kopp to:
Jim Scott for How to Change the World / United Kingdom, Canada (Director: Jerry Rothwell) — In 1971, a
group of friends sails into a nuclear test zone, and their protest captures the world’s imagination. Using rare,
archival footage that brings their extraordinary world to life, How to Change the World is the story of the pioneers
who founded Greenpeace and defined the modern green movement.
A World Cinema Dramatic Special Jury Award for Cinematography was presented by Taika Waititi to:
Germain McMicking for Partisan / Australia (Director: Ariel Kleiman, Screenwriters: Ariel Kleiman, Sarah
Cyngler) — Alexander is like any other kid: playful, curious and naive. He is also a trained assassin. Raised in a
hidden paradise, Alexander has grown up seeing the world filtered through his father, Gregori. As Alexander
begins to think for himself, creeping fears take shape, and Gregori's idyllic world unravels. Cast: Vincent Cassel,
Jeremy Chabriel, Florence Mezzara.
A World Cinema Dramatic Special Jury Award for Acting was presented by Col Needham to:
Jack Reynor for Glassland / Ireland (Director and screenwriter: Gerard Barrett) — In a desperate attempt to
reunite his broken family, a young taxi driver becomes entangled in the criminal underworld. Cast: Jack Reynor,
Toni Collette, Will Poulter, Michael Smiley.
A World Cinema Dramatic Special Jury Award for Acting was presented by Mia Hanson-Løve to:
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Regina Casé and Camila Márdila for The Second Mother / Brazil (Director and screenwriter: Anna Muylaert) —
Having left her daughter, Jessica, to be raised by relatives in the north of Brazil, Val works as a loving nanny in
São Paulo. When Jessica arrives for a visit 13 years later, she confronts her mother's slave-like attitude and
everyone in the house is affected by her unexpected behavior. Cast: Regina Casé, Michel Joelsas, Camila
Márdila, Karine Teles, Lourenço Mutarelli.
The following awards were presented at separate ceremonies at the Festival:
Jury prizes and honorable mentions in short filmmaking were presented at a ceremony in Park City, Utah on
January 27. The Short Film Grand Jury Prize was awarded to World of Tomorrow / U.S.A. (Director and
screenwriter: Don Hertzfeldt). The Short Film Jury Award: U.S. Fiction was presented to SMILF / U.S.A. (Director
and screenwriter: Frankie Shaw). The Short Film Jury Award: International Fiction was presented to Oh Lucy! /
Japan, Singapore, U.S.A. (Director and screenwriter: Atsuko Hirayanagi). The Short Film Jury Award: Non-fiction
was presented to The Face of Ukraine: Casting Oksana Baiul / Australia (Director: Kitty Green). The Short Film
Jury Award: Animation was presented to Storm hits jacket / France (Director and screenwriter: Paul Cabon). A
Short Film Special Jury Award for Acting was presented to Laure Calamy for Back Alley / France (Director and
screenwriter: Cécile Ducrocq). A Short Film Special Jury Award for Visual Poetry was presented to Object /
Poland (Director: Paulina Skibińska). This year’s Short Film jurors were K.K. Barrett, Alia Shawkat and Autumn de
Wilde. The Short Film program is presented by YouTube.
The 2015 Alfred P. Sloan Feature Film Prize, presented to outstanding feature films focusing on science or
technology as a theme, or depicting a scientist, engineer or mathematician as a major character, was presented
to The Stanford Prison Experiment, directed by Kyle Patrick Alvarez. The film received a $20,000 cash award
from the Alfred P. Sloan Foundation.
The winning directors and projects of the 2015 Sundance Institute Global Filmmaking Awards presented by AJ+ in
recognition and support of emerging independent filmmakers from around the world, are: Haifaa Al Mansour, Be
Safe I Love You (Saudi Arabia); K’naan, The Poet (Somalia); Myroslav Slaboshpytskiy, Luxembourg (Ukraine);
and Oskar Sulowski, Rosebuds (Poland/Germany). Each filmmaker received a cash award of $10,000.
The Sundance Institute/NHK Award, honoring and supporting emerging filmmakers, was presented to Laure de
Clermont-Tonnerre, writer-director of the upcoming debut feature film, Mustang.
The 2015 Sundance Institute | Red Crown Producer’s Award and $10,000 grant was presented to Stephanie
Langhoff, producer of The Bronze.
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the
past three decades, including Whiplash, Boyhood, Rich Hill, Beasts of the Southern Wild, Fruitvale Station, Little
Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth,
Precious and Napoleon Dynamite, and through its New Frontier initiative has showcased groundbreaking media
works by artists and creative technologists including Chris Milk, Doug Aitken, Palmer Luckey, Klip Collective and
Nonny de la Pena. The Festival is a program of the non-profit Sundance Institute®. 2015 Festival sponsors
include: Presenting Sponsors – HP, Acura, SundanceTV and Chase Sapphire Preferred®; Leadership Sponsors
– Adobe, Airbnb, Grey Goose® Vodka, LensCrafters, Southwest Airlines and YouTube; Sustaining Sponsors –
Blundstone Australia Pty Ltd, Canada Goose, Canon U.S.A., Inc., Chobani, LLC, Omnicom, Stella Artois® and
VIZIO. Sundance Institute recognizes critical support from the Utah Governor's Office of Economic Development,
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and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs
and sustain the Institute's year-round programs for independent artists. sundance.org/festival
Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves
the space for artists in film, theatre, and new media to create and thrive. The Institute's signature Labs, granting,
and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and
internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new
ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance
Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible
War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join
Sundance Institute on Facebook, Instagram, Twitter and YouTube.
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