JAN15-Cover-Green_Layout 1 1/14/15 2:46 PM Page 1 Art World News J A NUA RY 2015 THE INDEPENDENT NEWS SOURCE WILD APPLE’S 25TH ANNIVERSARY PARTY Wild Apple, publisher of open edition prints and licensor, is celebrating 25 years in business with a party in its booth on the Tuesday afternoon of the WCAF Expo at the Paris Hotel in Las Vegas, January 26–28. For full article on the company and its founders, John and Laurie Chester, turn to page 24. STUDIO EL HOSPITALITY AWARDED LUXURY HOTEL PROJECT Studio EL Hospitality, a division of Editions Limited, has just completed a hotel project in which 1,150 pieces of art were placed. The process is described in an article on page 26. HOW ABOUT A POP OF COLOR IN YOUR FRAME DESIGN? Color can be your friend, so don’t be afraid of it, says Greg Perkins in his column Details of a Frame Design. When selecting your color accents, you can choose from fabric wrapped liners, narrow painted frames, or fillets. Article begins on page 38. JOHN LENNON PRINT PROGRAM EXPANDS As Yoko Ono releases three new limited edition prints from John Lennon’s Bag One arts program, the artwork of the famed musician and artist is now being made available to select galleries across the country. Turn to page 18. Monarch | Arredond Contemporary Art, La Jolla, CA. See page 20. TURNING RENEWED OPTIMISM INTO HIGHER SALES IN 2015 What will 2015 bring for the retail art gallery and custom frameshop community in our segment of the market? Predictions are nearly always mixed. Therefore, perhaps the best course of action is that of Jeff Jaffe, owner of Pop International Galleries in New York’s SoHo and Midtown districts: Be prepared. He looks to see what could happen, based on the metrics of his sales, the key.” For galleries in parclients, and economic re- ticular, the art market and the ports—and makes sure he economy are closely conhas the artwork to meet pro- nected. When the economy jected scenarios. “I don’t pre- sputters, the average Joe tend to be a maven,” he says, gets skittish and there’s a “but we have come to under- flight to the higher end. The continued on page 14 stand that being prepared is QUOTE OF THE MONTH: “Corporations are spending more on art now. The religious zeal they applied since the recession to not buying art is coming to an end.” Brian Liss, page 22 *Ad Template-revised_Layout 1 1/16/14 2:06 PM Page 1 *Ad Template-revised_Layout 1 1/16/14 2:08 PM Page 1 *Ad Template-revised_Layout 1 12/29/14 3:49 PM Page 1 *Ad Template-revised_Layout 1 8/6/14 9:08 AM Page 1 *Ad Template-revised_Layout 1 1/12/15 10:45 AM Page 1 JAN15-toc_Layout 1 1/14/15 2:41 PM Page 1 VOLUME XX ISSUE 1 INSIDE THIS ISSUE DEPARTMENTS ARTISTS & PUBLISHERS Page 10 FRAMING Page 28 DETAILS OF A FRAME DESIGN Page 38 BEHIND THE LENS Page 42 Art in Motion’s New Division, Curate PPFA President Reflects on 2014 The ‘Wow’ of Roma Family Culture Curate by Art in Motion, featuring classic and on-trend imagery by new and established artists, designed to appeal to wholesale framers and independents, is debuting at the 2015 WCAF Expo. As Robin Gentry, MCPF, completes her year-long presidency of the Professional Picture Framers Association she notes that both membership and enthusiasm in the industry are growing. Roma Moulding is attracting interest with its charitable endeavours, philanthropic causes, and its Roma Family Culture meant to spread happiness and blur the lines between work and play. Page 16 Page 28 Page 32 Behind the Lens: The Technology: Epson Rob Arra Collection Watercolor Paper What’s Hot in Open Editions Rob Arra, owner of Everlasting Images, open edition print publisher of The Rob Arra Collection of exclusive panoramic photographs, tells the story of his life and travels as a professional photographer. For this month’s Technology feature, we invited two artists and two photographers to give their unique perspectives and opinions on Epson America’s Exhibition Watercolor Paper Textured. In What’s Hot in Open Editions, we feature a variety of the latest best selling open edition prints for the months of November and December from publishers, as well as their contact information. Page 42 Page 44 Page 50 TECHNOLOGY Page 44 CALENDAR Page 49 WHAT’S HOT IN OPEN EDITIONS Page 50 OPEN EDITION PRINTS Page 52 CLASSIFIEDS Page 53 AD INDEX Page 54 Artwork featured is “ Café Paris” by Liudmila Kondakova, a hand-signed archival print with handmade serigraph texture plates in an edition of 325, 36 by 28 1/2 inches ($2,475). Call Chalk & Vermilion Fine Arts, Greenwich, CT, at (203) 869-9500, www. chalk-vermilion.com. ART WORLD NEWS PAGE 7 JAN15-Opinion_Layout 1 1/14/15 3:27 PM Page 1 IN OUR OPINION THE SWEET TASTE OF SUCCESS t’s all about the chocolate. At least that’s what researchers from Florida revealed in a study published in the Journal of Consumer Research citing that “Consuming even one free chocolate increased shoppers’ desire for non-food luxuries.” I This is not news to any member of the art and frame industry who has walked among hundreds of trade shows over the last 25 years. They know chocolate matters. Since 1990, my friends John and Laurie Chester have welcomed and led the industry with an unwavering confection of uprightness, professionalism, commitment, warmth, and of course, great art—all topped with a piece of Vermont chocolate (light or dark) unreservedly offered from the Wild Apple booth. As leaders and innovators, the Chesters yielded such accomplishments as being catalysts in the formation of the Art Copyright Coalition, adoption of a publishing/licensing business model, creation of a global brand, unique art sourcing strategies, and an unshakeable commitment to artist and staff. Since the early days while working out of their barn, as to today, doing things the Wild Apple way meant something different to their customers. If chocolate matters, then John, Laurie and Wild Apple matter even more to the industry. In their roles as colleague and competitor, supplier and buyer, their conviction to follow the Good and lead by example has helped us all prosper and thrive. Best wishes on your 25th anniversary—keep the goodness coming. John Haffey Publisher A RT W ORLD N EWS Editor in Chief Managing Editor Production Manager Editor at Large Columnists Sarah Seamark [email protected] Koleen Kaffan [email protected] Sue Bonaventura Jo Yanow-Schwartz Todd Bingham [email protected] Barney Davey [email protected] Joshua Kaufman [email protected] Co ntributing Writers Publisher Greg Perkins Cristi Smith Zella Hannum John Haffey [email protected] Associate Publisher Brooks Male Information Technologist Joe Gardella Editorial Advisory Board Phillip Gevik, Gallery Phillip, Toronto, Canada Steven Hartman, The Contessa Gallery, Cleveland, OH Jeff Jaffe, POP International Galleries, New York Heidi Leigh, AFA, SoHo, NY Ruth-Ann Thorn, Exclusive Collections Gallery, San Diego, CA ADVERTISING SALES INFORMATION Eastern U.S. & International Midwest & West Coast John Haffey, Publisher Phone (203) 854-8566 Fax (203) 900-0225 [email protected] Brooks Male, Associate Publisher Phone (203) 854-8566 Fax (203) 900-0225 Art World News (Volume XX, Number 1) ISSN 1525 1772 is published 10 times a year by Wellspring Communications, Inc.: 143 Rowayton Avenue, Rowayton, CT 06853. Phone (203) 854-8566 • Fax (203) 900-0225; To order additional copies or back issues e-mail: [email protected] or fax to (203) 900-0225. Please indicate which month and year you are requesting. Single copy price is $10.00. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photography, recording, or any information storage and retrieval system, without permission, in writing, from the publisher. PAGE 8 ART WORLD NEWS *Ad Template-revised_Layout 1 1/12/15 10:54 AM Page 1 JAN15-A&P-pg1_Layout 1 1/14/15 3:40 PM Page 1 ARTISTS & PUBLISHERS Kondakova New Print Releases Fazzino Official Super Bowl Print Chalk & Vermilion Fine Arts, Greenwich, CT, has published two new limited edition prints from Russian-born artist Liudmila Kondakova that are a departure from the artist’s previous work. The images, “Café Paris,” shown on page 7, and “Café Joie de Vivre,” shown here, are hand-signed archival prints with handmade serigraph “Café Joie de Vivre” by Liudmila texture plates in edi- Kondakova measures 29 1/4 by tions of 325. Retail 36 inches, retailing for $2,475. price for each image is $2,475. Phone (203) 869-9500, www.chalk-vermilion.com. 3-D Pop artist Charles Fazzino has once again created officially licensed NFL commemorative artwork for the Super Bowl. This will include a limited edition print and poster for Super Bowl XLIX that will be played on Sunday, February 4, at University of Phoenix Stadium in Arizona. Fazzino, whose work is represented by Museum Editions, New Rochelle, NY, has commemorated each Super Charles Fazzino’s “Super Bowl Bowl for the past 14 XLIX,” a limited edition print. years. The deluxe print for Super Bowl XLIX is an edition of 200 with a 12 1/2 by 15 1/2inch image retailing for $1,400. For more on Fazzino’s work, www.fazzino.com or call Museum Editions at (914) 654-9370. Artist Jill Slaymaker’s Global Reach The work of New York artist Jill Slaymaker will be seen around the world in 2015. In January, the artist whose work is held in the permanent collections of the Museum of Modern Art and the Whitney Museum, New York, is participating in “New Delhi New York,” a group show curated by Tara Sabhar- Jill Slaymaker’s “Brain Jungle,” wal Shridharani Gallery 74 by 74 inches, is created with in New Delhi. In July acrylic, beeswax, archival Japanese she has an artist resi- tissue, ink, and oil pastel on canvas. dency in Assisi, Italy, where her art will be featured in a group exhibit at Art Gallery Le Logge. In September she has a solo show, “My End Is My Beginning” at the Nabi Museum of Arts located in Teaneck, NJ. Her work sells in the $200 to $8,000 range. For more information, visit her website: www.jillslaymaker.com. PAGE 10 NOBE Gallery’s Art & Charity Events North Beach Art Gallery, Ft. Lauderdale, FL, kicks off its 2015 “An Evening of Art & Charity” series, to be held the second Wednesday of every month, with a benefit for Jack and Jill Children Center featuring the cubist Pop art of Valter de Morais. The event will present an evening of art and entertainment (with guitarist Frank Carmelitano performing) supporting the communitybased program that helps children and their families. Charitable fundraising is a “Woman with Wine” by Valter big part of gallery owner de Morais, acrylic on canvas. Brooke Trace’s business model. Previous charitable events have included fundraisers for American Cancer Society, Crohn’s & Colitis Foundation of America, and Sea Turtle Oversight Protection, just to name a few. For more details, call the gallery at (954) 667-0660 or go to website located at: www.nobegallery.com. ART WORLD NEWS HalfPageStacked_Layout 1 1/14/15 11:03 AM Page 1 ART WORLD NEWS PAGE 11 JAN15-A&P-pg2_Layout 1 1/14/15 11:39 AM Page 1 A&P Darida’s Paintings in Dialogue at UN Brenda Mallory Wins Art Fellowship “Art has a special way of creating a dialogue that unifies the world,” observed Ban Ki-moon, Secretary General of the United Nations when he attended an exhibition of the “Climate Cha- Alexandru Darida, left, with Ban Ki-moon, nge” and “Quan- Secretary-General of the United Nations tum Energy” se- in front of his painting “Solar Energy.” ries of paintings by Alexandru Darida. This work by the Romanian-born artist from Chicago is created to reflect the contemporary discussion on the socially charged relationship of man with nature and renewable green energy. Also attending the exhibit at the UN headquarters in New York in December was the Romanian Ambassador Mirela Miculescu. For more information on Darida’s work, that retails from $3,000 to $36,000, visit www.alexandrudarida.com or call (773) 604-8875. Sequeira Joins Eric Christensen Eric Christensen Fine Art & Editions, La Jolla, CA, has appointed Augusto Sequeira as Sales Manager, responsible for all outside sales activity including account management and customer relations. With over five years of fine art experience, Mr. Sequeira was most recently director of the Thomas Kinkade Gallery of Monterey and previously with the Thomas Kinkade Company. Says President and CEO Dave Sylvia, “His Augusto Sequeira, left, with mission is to expand our Eric Christensen in his studio. presence in key upscale markets across the U.S. and Canada.” To reach Mr. Sequeira, call him direct at (669) 231-9945 or at the main office, (408) 445-1314, or e-mail: [email protected]. For Eric Christensen Fine Art, www.erichchristensen.com. PAGE 12 Brenda Mallory, whose sculpture and installation art is represented by Butters Gallery, Portland, OR, is one of five Native American artists to earn the title of 2015 Eiteljorg Brenda Mallory’s “Undulations with Contemporary Art Density,” a 50- by 36- by 4-inch wall Fellow and to re- sculpture ($4,750), is created with ceive a $25,000 waxed cloth, felt, steel nuts, and bolts. grant. The biennial Fellowship program, established in 1999, recognizes the work of Native American and First Nations artists working with contemporary media and ideas. Mallory’s work, which retails for $2,400 to $12,000, is featured at Butters Gallery through January in the exhibit “The Spaces Between.” Call (503) 248-9378 for more or visit: www.buttersgallery.com. Chambers’ Book on Food & Fine Art Karla Chambers, whose work is represented by Arnot Gallery, has released a 70-page illustrated hardcover book entitled Farming, Food & Fine Art. As well as an artist, Karla Chambers is an owner of Stahlbush Island Farms Inc. in Oregon’s Willamette Valley, and it is her hope that the nat- “Mountain View” by Karla Chambers, ural colors of her acrylic painting, 48 by 48 inches, art will act as a available from Arnot Gallery. catalyst to expand the cause of healthy eating, particularly in children. Through her exhibit at Jordan Schnitzer Museum of Art in Eugene, OR, children and teachers have been exploring the relationship between sustainability, food, and art. The book, priced at $29.95, is available from Amazon. For more on her art, call Arnot Gallery at (212) 245-8287, www.arnotgallery.com. ART WORLD NEWS HalfPageStacked_Layout 1 1/14/15 11:07 AM Page 1 ART WORLD NEWS PAGE 13 JAN15-Cover story page 1_Layout 1 1/14/15 12:01 PM Page 1 WEST COAST ART & FRAME EXPO HIGHLIGHTS PREPARING FOR WHAT 2015 BRINGS LAS VEGAS—With 180 exhibitors of art and framingrelated products, the 16th edition of the West Coast Art & Frame Expo takes place January 26–28 at the Paris Hotel & Casino. The National Conference, offering more than 100 seminars and workshops, begins a day earlier, on Sunday, January 25, and runs through January 28. The WCAF Expo, produced by Hobby Publications and Picture Framing Magazine, is also the setting for the PPFA Annual Convention. continued from page 1 million dollar question for galleries is, will the middle class client return in greater numbers in 2015 to make purchases in the $5,000 to $15,000 range? Highlights include: Sunday: 1:30 p.m.–3 p.m. PPFA annual meeting and competition celebration. 5 p.m.–7 p.m. PPFA Welcome Reception and Vendor showcase. Monday: 7:30 a.m.–1 p.m. Landscape Photography: How to Take Great Images. Venue: Red Rock Canyon National Conservation Area. About three hours to shoot, one to travel. Sign up required and fee applies. 6 p.m.-7:30 p.m. Design Star: Framing Edition awards ceremony hosted by Larson-Juhl. Tuesday: 8:30 a.m. Art Copyright Coalition meeting in Skyview 1 room. Wednesday: 8 a.m.–10 a.m. Successful Retailing: A Panel Discussion led by Jay Goltz. Show hours: Monday and Tuesday: 11 a.m.–6 p.m. Wednesday: 10 a.m.–4 p.m. PAGE 14 ing. Custom framers also are finding success with “package pricing,” where the customer knows exactly what their framing will cost. Once in the shop, that customer frequently opts for add-ons that increase the ticket and profit. Often it is the package that gets them in the door. Thus, for galleries and frameshops, it’s we get any traction.’ Nothing ventured, nothing gained.” His argument is that someone with $2,000 to spend could probably spend $5,000; if they are prepared to buy at the $5,000 level, Recognizing that higher they might go to $10,000; if end art in the $50,000-plus they are ready to spend range tends to do relatively $15,000 on art, they could well even in more challengdrop $20,000; and if someing times, “that says one has $40,000 to to me something spend, they could go to about positioning $100,000. “There are one’s art to be preindicators we use to pared.” If the econguage a client’s buying omy strengthens in ability. We talk about it 2015, that could with our sales staff.” In bring the middle marconversation with a client ket buyer back. A a sales consultant is expositive indicator is pected, in an unobtruthat the stock market sive manner, to estabhit new highs in 2014 lish what the client could as the U.S. economy spend. They try to find accelerated, and that out where they live, speaks to the notion what work they do and of trickle down ecowhere they work, what nomics. A strong inhotels they stay in, what dicator for Pop they do on vacation, and International that this so on. They also Google may already be takthem for more informaing place is that in Pop International Galleries in SoHo, New tion. All of the socio-ecoNovember and De- York. Shown, in the foreground, is “The nomic factors that they cember, the gallery Hand of Eve” by Edwina Sandys, great ascertain provide the hosted a major granddaughter of Sir Winson Churchill. sales staff with critical inWarhol exhibit. It was, The piece retails for $25,000. Visit: formation that guides in fact, the largest www.popinternational.com. their sales process. collection of Warhols “This gives so much under one roof in the U.S., an individual choice as to how more information than the and prices went up to they approach a New Year— shoes they are wearing or $200,000. “The beauty of what they change, what they the size of their diamond that is, those interested in abandon that didn’t work, and ring.” If a couple comes in Warhols but couldn’t afford what they introduce. and says they are newly marit, moved into works that are ried and have just bought a more affordable. So I’m optiCurrently, Mr. Jaffe is house, that is one of the best mistic for the year,” he says. working with several new scenarios as they are beginartists whose work he hopes ning collectors. “Our philosOn the framing side, Rob will succeed in the middle ophy has always been to help Markoff, co-owner with his market of $2,000 to $15,000. people build collections. It’s wife Barbara of Artrageous, “We are testing a number of all about repeat business,” San Diego, finds that those artists who we hope will be observes Mr. Jaffe. framers who have experi- indicative of where that midenced the most growth have dle market will be—and we Ron Cavalier, owner of continued to diversify into are getting great results. We Cavalier Galleries in Greenadded products and serv- say to the artist, ‘Let’s give continued on page 16 ices, such as gifts and print- this a shot, and let’s see if ART WORLD NEWS HalfPageStacked_Layout 1 1/14/15 11:13 AM Page 1 ART WORLD NEWS PAGE 15 JAN15-Cover story page 2_Layout 1 1/14/15 12:03 PM Page 1 CURATE, A NEW DIVISION OF ART IN MOTION, INTRODUCES 300 IMAGES ON PAPER AND AS A LICENSING OPPORTUNITY NEW WESTMINSTER, British Columbia—Art in Motion has formed a new division, Curate, featuring both classic and on-trend imagery by new and established artists, designed to appeal to wholesale framers, as well as independents. Curate by Art in Motion, owned by E&E Company of Fremont, CA, is officially unveiling the collection of 300 images at the WCAF Expo in Las Vegas, January 26–28, booth 1700. Curate offers images on paper and as licensing opportunities. Says Devrim Birlik, global sales director, ”We closely align our images with the vision of our wholesale framers that are selling their products in the U.S. and global markets by providing affordable printing options through our worldwide network of offset printers and offering licensing opportunities for other substrates, including canvas.” Shown is “Neighborhood Games 2” created by P Studio. The image measures 20 by 28 inches. For more on the Curate collection, visit: www.artinmotion.com/curate or phone (866) 523-2610. PAGE 16 DOING BUSINESS IN 2015 continued from page 14 newest icon. Award-winning documentary filmmaker Paul Lazarus, filmed the tour. cussing his galleries, he notes, “Greenwich is home to some of the great collecwich, CT, New York City, and tors in the world, so we have Nantucket, MA, says he re“Think Big” represents a a wealth of clients to draw mains optimistic for 2015. man with his eyes fixed upon. But there is someBut as he points out, it is a upwards towards the Man- thing about art and New global economy where what hattan skyline. The larger- York that ring true in the happens overseas can im- than-life figure gazes to- ears of potential buyers.” pact the U.S. “We have to wards the powerful buildings He adds, “If you are going be diligent and prudent where and companies that lie to be considered a major we spend our dollars.” within, serving as a reminder dealer, it is important to have that when we “think big” we a New York City presence. He concluded 2014 with can achieve anything. As we After all, it is the art world an event that capital.” That c a p t u r e d “Think Big,” a being said, he the interest life-size bronze finds, “We of crowds of sculpture by have some people in Jim Rennert, clients that New York is pictured in live in ConCity. It was Times Square necticut who held to mark on its tour of only visit us the one-year New York City on Nantucket installation landmarks in and some anniversary December. only in New of the monu- The tour was York.” On the m e n t a l organized by other hand, bronze scul- Cavalier for some pture by Salt Galleries, visiting New Lake City Greenwich, York, the artist Jim CT, New York, gallery is not Rennert enti- and Nantucket, a priority and tled “Think MA, representhey go to one Big.” To cel- tative of Renof his other ebrate “Think nert’s work, in celebration of the one-year anniversary of galleries. In Big” officially the installation of a monumental-size “Think Big” in Union New York, joining the Square. The life-size “Think Big” is an edition of three, 77 the Cavalier ranks of the inches tall, retail $125,000. A 12-inch tall version, edition of Galleries are iconic monu- nine, retails for $15,000. Visit: www.cavaliergalleries.com. on West 57th ments of Street and New York, Rennert, whose emerge from the stifling re- East 71st Street, the latter work is represented by Cav- cession, “Think Big” aims to open by appointment only. alier Galleries, brought his remind viewers that the life-size rendition of “Think American Dream is very As a part of his business Big” on an interactive tour of much alive and available to strategy, Mr. Cavalier has some of the most celebrated all who seek it. “I can’t think also been an active particilandmarks of the city. Ren- of a better place for ‘Think pant in art fairs over the past nert began the tour at the Big’ than New York City, three or four years. HowGrand Army Plaza across the financial capital of the ever, as the fairs have proliffrom the Plaza Hotel and world,” says Rennert. “I hope erated there has been some continued to Rockefeller it will be an inspiration, and dilution. But he concludes, Center, Macy’s, and the stand as a monument to “They are an integral part of New York Stock Exchange. what we can accomplish by the business. We try to do The tour finished at the thinking big and positive.” fairs that support our clienmonumental “Think Big” in tele.” Persistence is paraUnion Square. Rennert’s col“Sculpture has always mount, he says. “It takes lectors had the opportunity been a huge part of our years to develop that relato join the tour, meet with galleries,” observes Mr. Cav- tionship and it is important to the artist, and witness the alier who says more happencontinued on page 22 induction of New York’s ings are in the works. DisART WORLD NEWS HalfPageStacked_Layout 1 1/14/15 11:19 AM Page 1 ART WORLD NEWS PAGE 17 JAN15-John Lennon page_Layout 1 1/14/15 4:45 PM Page 1 EBAY RELEASES THEIR LIST OF THE MOST SEARCHED ARTISTS IN THE U.S. SAN JOSE, CA—eBay, the popular online auction website located at www.ebay.com, recently released an infographic that charts the most-searched artists on the website by state. The information was compiled by taking the top 50 most-searched artists on eBay, and comparing them with industry trends and search engine data to create the list for nearly all 50 states. The highest ranking artists with four states each are: Ansel Adams (Montana, Wyoming, Utah, and New Mexico), Thomas Kinkade (Idaho, Alabama, Tennessee, and West Virginia), Pablo Picasso (New Jersey, Indiana, Arkansas, and Iowa), Terry Redlin (North Dakota, South Dakota, Nebraska, and Kansas), and Faith Ringgold (Wisconsin, Maryland, North Carolina, and Georgia). The other artists represented in the infographic are V.C. Andrews, Banksy, Mary Cassatt, Marc Chagall, Salvador Dalí, Emek, Faile, Shepard Fairey, Charles Fazzino, Frank Frazetta, Artemisia Gentileschi, Frida Kahlo, Peter Lik, Berthe Morisot, Maxfield Parrish, Norman Rockwell, George Rodrigue, Tyler Stout, and Andy Warhol. Left off the list was Mississippi, Alaska, and Oklahoma. Some of the most-searched artists and their states make sense, such as Andy Warhol in his home state of Pennsylvania, Shepard Fairey as a student attended the Rhode Island School of Design, and artist and American horror novelist V.C. Andrews once resided in Missouri. PAGE 18 JOHN LENNON PRINT PROGRAM EXPANDS As Yoko Ono releases three new limited edition prints from John Lennon’s Bag One arts program, the artwork of the famed musician and artist is now being made available to select galleries across the country. In an effort to take the program to another level, Limelight Agency’s CEO Daniel Crosby is now its co-administrator with Epic Rights. Limelight, founded in 1999, is a full service artists agency offering global distribution, publishing, and marketing for celebrity artists and the artists of celebrity. Epic Rights, headed by Dell Furano, is a global branding marketing, and rights management company. Up until now, John Lennon’s Bag One arts program has been made available to the public through Legacy Fine Art & Productions and Pacific Edge Gallery, Laguna Beach, CA, who produce traveling shows similar to Pop-Ups, that take place over a weekend, and with a charitable tie-in. want it presented.” Galleries who join the dealer network will be expected to display the full gamut of John Lennon’s work, frame it beautifully, “The City in My Heart” by John Lennon is and promo- a hand-pulled serigraph in two colors in an te it. Yoko edition of 300 with an image measuring Ono is pre- 24 by 18 inches that retails for $1,250. pared to do an interview in the gallery’s bought one of each of the hometown to further the mar- 72 Lennon prints. In Februketing efforts, and it is ex- ary, Liss Gallery, Toronto, will pected that the gallery would host a show centered around arrange for a charity compo- Valentine’s Day. “And, we nent to the show. “Then you are in the process of getting play his music in the gallery more galleries involved.” As and it becomes a place for Mr. Crosby says, “If you like John’s music (from the Beatles time and from his solo career) you will like his artwork because something translates. When you read his lyrics, they are very simple. He says a lot with a few words. The same thing with his drawings, they say a lot with a few lines. He is very parsimonious, yet creates an entire feeling.” Says Daniel “But I’m One of Your Biggest Fans” by Crosby, “Yoko John Lennon, hand-pulled serigraph in Ono, an artist in two colors, edition of 300 with a 13- by her own right, 9-inch image retailing for $950. realizes the market is now starting to come like-minded people to come back—the art market is get- together to celebrate John ting a heartbeat. And she Lennon’s work,” says Mr. wants us to expand the Crosby. gallery representation to likeminded people—those who The first gallery to particishare her vision. Money has pate is AFA Gallery in the never been a motivating fac- Fashion Show Mall, Las tor. It is about working with Vegas, where Mr. Crosby people you can trust and who says there has been a trempresent the work how we endous response. One client In his lifetime, John Lennon drew constantly, and more than 80 limited edition prints of these sketches are available, mostly as serigraphs in editions of 300 with retail prices from $600 to about $10,000. The three newly released prints are “The City in My Heart” and “But I’m One of Your Biggest Fans,” both shown, and “Happy Xmas.” For more information on the gallery program, contact Daniel Crosby at Limelight Agency at (818) 885-1483 or: www.limelightagency.com. ART WORLD NEWS *Ad Template-revised_Layout 1 1/8/15 12:41 PM Page 1 JAN14-Arnot page_Layout 1 1/14/15 11:51 AM Page 1 MONARCH GALLERY RELOCATES IN LA JOLLA AND CHANGES ITS NAME LA JOLLA, CA—Monarch Fine Art, owned by Elsie and Danny Arredondo, has moved from Prospect Street to Ivanhoe Avenue within La Jolla and changed its name to Monarch | Arredond Contemporary Art to reflect the ownership since the beginning of 2013. In addition, the gallery has changed its business model from a continuous and general display model to an exhibit-driven (similar to a museum) display model, says Mrs. Arredondo. At the same time, it has reduced the number of artists it carries to six. They are: Renzo, André Desjardins, Ira Reines, Boban, and Arian, represented by Masterpiece Publishing, and Ron Jermyn, an independent California sculptor. Retail prices remain in the $5,000 to $40,000 range. The gallery, in its new 1,900square-foot space, a similar size to its previous location, now has themed exhibits that last about eight weeks. “The advantage is that we can promote the styles that are currently on display so that we have better informed visitors and clients. The themed exhibit also invites new collectors that may not have heard of the artist but is intrigued by the theme.” A re-opening celebration took place in December with a group exhibition, “Metamorphosis,” that speaks to issues of personal, societal, and universal metamorphosis. The opening night was well attended, with several sales, and December represented the gallery’s best sales month of the year. For more information, visit he gallery’s website at: www.monarchfineart.com or call (858) 454-1231. PAGE 20 EXHIBITS: WHEN LESS IS MORE When a gallery chooses to hold a select few important exhibitions each year, rather than multiple shows, there can be meaningful rewards— provided these ‘blockbuster’ exhibits are carefully managed. During the past year, Arnot Gallery moved away from hosting four or five shows a year to two large shows of several months’ duration, each dealing with complex subject matter as represented in a substantive presentation of paintings by one or more artists. be maintained, as paintings sell. Customers can’t be expected to wait several months to receive their purchase. The artist must be prepared to produce more paintings to replenish the exhibit. Excitement needs to be interjected to sustain interest. “Field of Dancing Poppies” by Malva Mrs. Arnot gen- is an oil painting, 40 by 40 inches. erates excitement by alerting customers and her incentives to co-ordinate prospects via e-mail and so- with those offered by major cial media whenever a new high-end retailers, such as painting comes in to be Saks Fifth Avenue and Nordadded to the exhibit. “That strom. “That is generally when your customer base is spending their money, and if you don’t offer an incentive, you might miss the opportunity to make a sale.” “Shows are extremely time-consuming to organize,” observes Vicki Arnot, co-owner with her husband Peter of the Manhattan gallery. “Having fewer shows allows me to spend more time on my clients—and To that end, she anon selling.” nounced in late DeAnother adcember an incentive vantage of a for the Luigi Rocca longer run- Luigi Rocca’s “New York City” is a giclée on canvas, show “Reality Bites” ning show is 27 by 16 inches, edition of 200, signed and numbered that opened at Arnot that it gives by the artist. The print is an incentive and comes as a Gallery in early Noout-of-town gift with the purchase of a Rocca painting before the vember and runs clients, as exhibit at Arnot Gallery ends in February. through February. well as new customers, more time to sparks new interest. Maybe The timing was right. Nucome in and see the exhibit. when the exhibit opened, merous higher end retailers This is important, says Mrs. they were not ready to buy. were offering incentives. A Arnot, who has found that Perhaps they were waiting Rocca print is being offered one of the effects of social for a bonus or a special pro- with the purchase of an origmedia marketing is to in- motion or incentive. Also, inal before the end of the excrease the proportion of when a painting is sold, it is hibit. Minimum purchase is clients who live far from the taken off the website, and required and restrictions gallery. “A three-week show, that creates a sense of ur- apply. As with any incentive, which was the industry stan- gency for the client who is Mrs. Arnot advises a gallery dard, can be hit or miss. I following the show online. to think two steps ahead of prefer the longer shows.” the customer and cover “It’s a question of using themselves. But these have their own your advertising, your webunique requirements. The site, and your social media in To reach Arnot Gallery, show needs constant re- tandem to keep renewing in- call (212) 245-8287 or visit: hanging, and the flow must terest.” Mrs. Arnot times www.arnotgallery.com. ART WORLD NEWS *Ad Template-revised_Layout 1 8/29/13 3:14 PM Page 1 JAN15-Cover story page 3_Layout 1 1/14/15 2:39 PM Page 1 BRUCE TELEKY INC. RELOCATING TO JERSEY CITY DOING BUSINESS IN 2015 continued from page 16 pre-plan your success at a fair and have realistic expectations.” Online activity continues to grow for Cavalier Galleries, with sales mostly to existing clients but also to first-time buyers that the gallery staff have previously talked to face-to-face or who are familiar with the artist and the artist’s work. Mr. Cavalier sums up his mantra, “Sell, sell, sell—and follow up—that is the name of the game.” JERSEY CITY, NJ—Bruce Teleky Inc., in business since 1974 as a publisher and distributor of prints, some of them very rare, is relocating at the end of February from Brooklyn to Jersey City. The rent will be less, and his space will be about 6,600 square feet, almost half the current space, says Bruce Teleky. All categories of art, that number more than 60 represented by Bruce Teleky Inc., will be available from the new location. They are mostly open edition prints on paper, with some limited editions and some on canvas. Prices are from $5 to $5,000. Mr. Teleky says he is always looking for artists to publish, especially African American, coastal, and Pop culture. Shown is “Reflections” by Anon, 8 1/2 by 20 1/2 inches. The phone remains (718) 965-9690; e-mail: [email protected] or visit: www.teleky.com. PAGE 22 gious zeal that they applied (since the onset of the Great Recession) to not buying art is coming to an end.” Returning to the subject of why it matters to him (and to the gallery) who he works with, Mr. Liss describes a recent very successful show that he hosted for the photography of Mick Fleetwood of Fleetwood Mac fame, organized by Limelight Agency. About 20 photographs were sold, ranging in price from board as it benefits everyone who is a dealer. I love the secondary value that they control, and they look out for their dealers—watching who is selling to who to stop discounting. They send us leads, too.” It is important in this industry, he says, to work with people who have your back. “Time and again I deal with agencies that say, today you can buy this, and tomorrow you can’t—and tomorrow they sell it to my neighboring gallery. “It’s great to have relationMoving into the ships, as long as New Year, one factor they are good rein particular that lationships.” His Brian Liss, owner of preference is to Liss Gallery, Toronto, do business on a in business 31 years, handshake, but is going to pay close now after a few attention to is worknegative incidening with those he ts, he’s thinking finds good to do of crafting a conbusiness with. He tract with agents also plans to bring in “The Art of Dr. Seuss” at Liss Gallery, Toronto, and artists. “Nomore artists that sell with Brian Liss, right, owner of Liss Gallery, and thing bothers in the $10,000 to Jeff Schuffman, national sales manager, The Chase me more than $40,000 (US) range, Group, with Dr. Seuss’ “Kid You’ll Move Moungetting a bill and he will probably tains,” shown. Visit: www.lissgallery.com. from an artist participate in one or for dinner for four two art fairs, possibly begin- $2,500 to $6,500. “I was with Cristal champagne and ning with one of the New told by my security team that cigars.” York shows. he (Mick) walked into the gallery very nervously, and When Canadian artist Tim “The erosion of the mid- walked out as a king. And he Packer attended the opening dle class has hollowed out was a real gentleman to work reception for his show at the art world,” observes Mr. with. He acknowledged the Liss Gallery this past fall, Liss, who closed a second effort, attention to detail, and he brought a number of his gallery earlier in 2014 that he passion that I and my team collectors to the event, and had opened for a short time put into the show. No artist some of them made purin Toronto offering less ex- should underestimate the chases. Too often, says Mr. pensive art. “The traffic was value of nice comments. It Liss, there is a mentality of minimal and the revenue piti- makes a big difference to me not sharing and of “I am ful,” he says. But the art he in terms of motivation—in here to get the most out of presented at this gallery what I put out for them—if your gallery.” “That doesn’t proved very popular with they appreciate the work we grow anything. That is very corporations, and he has do.” Likewise, he found “The myopic.” Sometimes he has rolled that collection into the Art of Dr. Seuss” show cu- had a show for a local artist, corporate division of his rated by the Chase Group their collectors come, and main gallery on Yorkville that he hosted in December Mr. Liss senses that the Avenue. “Corporations are to be a very positive experi- artist has primed them to spending more on art now,” ence. “The Seuss program is only buy from the artist. That he observes. “I would say, one that should be copied continued on page 46 very bluntly, that the reli- by artist agents across the ART WORLD NEWS studioEL-revisedw/Booth#JAN15_Layout 1 1/7/15 4:37 PM Page 1 Visit us at the West Coast Art & Frame Expo, Booth #405 JAN15-news-WildApple_Layout 1 1/14/15 12:37 PM Page 1 GANGO EDITIONS SIGNS MOTHER-SON ART TEAM PORTLAND, OR—Gango Editions has signed a mother-son collaboration called Two Can Art, to release their work as open edition prints, as well as giclées on canvas in customizable sizes. The artists, Patti Gay and her 22-year-old, non-verbal autistic son Noah, began painting together as a break from his intensive home therapy. After her son’s diagnosis at an early age, she began working closely with him to help him connect with the outside world, as well as learn independent living skills. As a fun exercise, Noah would paint and create textures on butcher paper. After collecting hundreds of his paintings, Patti began to use his handpainted textures as the beginning of her paintings. Noah created textures using various materials, such as sand and glitter, that are added to paint using sponges, brushes, and even his fingers. A portion of the proceeds from Two Can Art’s work is donated to Northwest Behavioral Associates (NBA), a local organization that works to treat autism through intervention and education and whose founder has worked with Noah since age five. Shown is “Fox” by Two Can Art, measuring 12 by 12 inches ($10). Call Gango Editions at (800) 852-3662 or go to: www.gangoeditions.com. For more details on NBA, Bellevue, WA, visit the website: www.nba-autism.com. PAGE 24 WILD APPLE CELEBRATES 25 YEARS Wild Apple, Woodstock, VT, mont’s Deane C. Davis Outcelebrates 25 years as an standing Business Award). art publisher and licensor, Provide friendly and speedy today with more than 15,000 service. Go out of your art images published from way to create great presenhundreds of different artists. Co-owners Laurie and John Chester first started the company in their farmhouse in Vermont in 1990 with inventory stored under beds and in closets of a spare room with John and Laurie Chester. nine posters. tations. Learn and improve. Eventually, after adding Run squeaky clean. And new artists consistently, the finally, eat chocolate!” company expanded and today occupies a 30,000This month Wild Apple is square-foot warehouse and also launching their new speoffice building in West cial edition, 25th anniversary Woodstock with 33 employ- magazine filled with the comees. “We are proud to be pany’s new and top-selling considered one of the images, trends, and inspiring world’s top fine art publishers and licensors of trendforward art,” Mr. Chester says. “Over the years we have watched art publishing change from a small industry into a global force and we are proud to have grown with it.” The company has also placed art onto thousands of products for the home and sold their art into more than 50 countries. Mr. Chester, who describes himself as co-owner and janitor, says that the company’s evolution has come about because of a few golden rules. “Treat artists, customers, suppliers, and each other the way we want to be treated. Make business fun (Wild Apple is included in ‘Best Places to Work in Vermont’ and is a recipient of Ver- more about the unique personalities and talents of our artists.” Mr. Chester adds that the company’s roster of artists has grown to represent many different genres and styles. “Wild Apple had to reinvent itself from a folk art publisher at the beginning, to a floral publisher, to a wide spectrum of themes and styles. One thing that we have learned is that our customers rely on a continuous stream of fresh, marketable images. Every month we release new artwork on our website and a new catalogue is released each January featuring top-selling prints from our artists.” The complete online catalogue includes more than 3,000 open edition prints and over 11,000 images available for licensing and print-on-demand. “The biggest change has been in printing t e c h n o l o g y, with print-ondemand becoming such a force. The industry went from offset prints on paper to digital printing on any substrate.” “Wild Apple: 25 Years” is a magazine celebrating the company’s evolution. articles on their artists. “We wanted to produce something new for 2015,” says Mrs. Chester, coowner and creative director. “Our new magazine was designed to be inspirational in helping customers see the top trends in art and to learn Wild Apple: 25 Years will be debuted at the West Coast Art & Frame Expo at the company’s booth, #971, January 26–28. For further information, telephone Wild Apple at (800) 756-8359 or go to the company’s website located at: www.wildapple.com. ART WORLD NEWS con *Ad Template-revised_Layout 1 2/4/14 10:01 AM Page 1 JAN15-StudioEL_Layout 1 1/14/15 1:26 PM Page 1 MORROW PRINTS TO BE RELEASED IN THE U.S. STUDIO EL HOSPITALITY’S PROJECT GORDONSVILLE, VA— Graves International Art is offering galleries the opportunity to represent the paintings and limited edition prints of Gary Thomas Morrow who works in the style of the Scottish Impressionists. A member of the historic Glasgow Art Club, Morrow’s paintings have already attracted interest from galleries and collectors in the U.K. where he works from his studio outside Glasgow. Among his first paintings to arrive in the U.S. is “Summer Blooms,” shown, an oil on canvas, 29 1/2 by 47 inches, retailing for $7,500. Studio EL Hospitality re- is nine feet wide, placed Studio EL Hospitality booth cently finished an 18-month above each guestroom at HD Expo in Las Vegas long project with Delta headboard, and is com- in May 2012. “The Delta Toronto Hotel, a 46-floor lux- prised of reflective prints on VP was ‘wowed’ by our ury tower hotel opened in frosted acrylic, framed in an- featured piece in our booth, late 2014, in which 1,150 odized black metal frames. a prototype of BLOX, and pieces of art were placed. A These abstract images were asked us to customize this division of Editions Limited tinted to match the hotel’s concept for Delta’s pending and founded in 2007 to serv- guestroom palette. The 4-star flagship property, ice the project-specific de- bathroom artwork was de- the newly opened Delta mands of the hospitality and signed to complement the Toronto Hotel.” design industry, Studio EL HospiDuring the tality provided process, Studio custom artwork EL Hospitality’s entitled BLOX that team worked was designed by closely with the Jordan Bunnell, Montreal-bred, Studio EL director NYC-based inteof design, and is rior design firm comprised of reChampalimaud in flective prints on providing artwork frosted acrylic in for the hotel’s brushed aluminum extended-stay frames. suites. “We took our cue from the Shown is one of the 55 luxury suites featuring the Custom de- 6-piece BLOX artwork created for the Delta Toronto. hotel’s color palette, signed and manuand used our factured by the company, headboard pieces and was ‘value-engineering’ skills to the art consisted of a six- printed on non-glare tem- create spectacular artwork piece BLOX for 55 luxury pered glass. It was then in- within their budget,” Mr. Linsuites, a threeton says. “As piece BLOX part of the for 505 stanprocess, we dard gueprovided strooms, one Delta with print on nonfull-sized inglare temstallation pered glass for templates, 567 bathprinted on rooms, and 25 brushed aluother prints on minum, as non-glare temwell as steppered glass by-step infloated above Artwork features frosted acrylic to help eliminate glare off structions for a mirror in shad- the vast amount of natural light in each room. hanging owbox frames these threefor 16 extended-stay suites. stalled via a ‘hidden frame’ and six-piece headboard affixed to the back of the art- pieces, so the installation Jeff Linton, sales execu- work and thus ‘floats’ about would go smoothly, from betive for Studio EL Hospitality, an inch off the wall.” ginning to end.” says that the Delta Toronto Hotel project presented The job came about when For further information, unique requirements because a senior manager from Delta phone Studio EL Hospitality, of the generous amount of Hotels and Resorts (parent located at Emeryville, CA, natural light featured in each company of Delta Toronto at (800) 228-0928 or visit: room. “Some of the artwork Hotel) stopped by the www.studioelhospitality.com. A series of giclées on Somerset 100% Rag watercolor paper in editions of 150 retailing for $350 will be released in the spring. They will include “Summer Blooms” and “Rhododendron,” both with images measuring 15 by 24 inches, and “Walk in the Braes,” with an image measuring 15 by 22 inches. For more information, contact John Graves at Graves International Art at (540) 832-7679 or visit: www. gravesinternationalart.com/ GaryThomasMorrow.html. PAGE 26 ART WORLD NEWS *Ad Template-revised_Layout 1 12/4/14 4:52 PM Page 1 JAN15-news-PPFA page_Layout 1 1/14/15 12:35 PM Page 1 NEW FROM FRAMERICA: BRACK, COMBINING BLACK AND BROWN YAPHANK, NY—Framerica’s designers had a goal: To design the most useful and versatile finish. The result is Brack, a marriage of the best black with five top browns, resulting in a finish that is designed to work with black, brown, and everything in between. For information, go to: www.framerica.com or call (800) 372-6422. NATURALS BY DECOR ARE INTRODUCED HAUPPAUGE, NY—Decor Moulding and Southern Moulding introduce Naturals by Decor. This line is available in two finishes, natural maple and white-washed maple in widths of 3/4, 1, and 1 1/2 inches with rabbet heights from 1/2 to 1 3/4 inches. Floaters in the same finishes add flexibility. Phone (800) 937-1055 or visit: www.decormoulding.com. PAGE 28 PPFA PRESIDENT REFLECTS ON 2014 As her year-long presidency tion on industry events, ed- of all levels—members and of the Professional Picture ucation, certification, comp- non-members alike throughFramers Association (PPFA) etitions, and local and out the world.” This educais completed, Robin Gentry, international news. The or- tion also includes staying MCPF, owner of B&J Gallery, ganization also has around up-to-date on technology, Bowling Green, 170 supplier mem- technique, and trends. “We KY, says that bers that make up provide framers the opportuboth membera resource for nity to learn a specialty, such ship and enthuframers to complete as faux finishing, gilding, siasm have projects, as well French matting, and others grown as the as take advantage at our chapter events and custom framing of discounts and Annual Convention. The industry emoffers in the PPFA PPFA also serves as a stage braces all that Member Advantage for suppliers to introduce their the organizaprogram. Some sup- products to framers from tion has to plier members in- across the globe.” offer. Currently, clude Larson-Juhl, there are ap- Robin Gentry, MCPF. Max Moulding, Tru After a robust 2014 Frame proximately Vue, Frame-Ready Fest Show held in mid1,100 professional custom by SoftTouch Solutions, and September in Kissimmee, framer members. Attach-EZ, just to name a FL, Ms. Gentry says that few. attendance at such events “The PPFA has been workhelps to build the community ing hard on chapter realignSupport of the PPFA by and make invaluable connecment,” Ms. Gentry says. these companies helps both tions. “The Frame Fest “The new chapter boundaries the framer and the supplier was a wonderful event orwere rolled out October 1 as it provides direct access chestrated by the Southeast and they are in the process to each other, as well as input Chapter of PPFA. The Anof contacting nual Convention is members to held on January 25 encourage into 28 in Las Vegas volvement. We during the West also have sevCoast Art and eral chapters Frame Expo. At who have bethe Convention we come more acoffer education, tive over the last framing competiyear by holding tions, and certificaevents and tion programs for reaching out to anyone interested.” new and existing members. Growing memAnother big pri- B&J Gallery, located in Bowling Green, KY, is a full bership in the PPFA ority has been service art gallery and custom frameshop. is always a high working to propriority. “I would mote the use of our online on how to move the industry like to see more framers and forum (www.ppfacorner.com) forward. “The PPFA is a suppliers involved with the as a wonderful source of community of framers willing PPFA. But ‘how’ is a good information for all members.” to help each other by ex- question. It is going to take changing information in a time. We, as PPFA memCurrently, there are 20 positive manner,” Ms. Gen- bers, need to reach out to PPFA chapters; 18 in the try says. “We want all all framers and suppliers to United States, one in framers to have access to encourage them to attend Canada, and one in Aus- the same information and events or participate in our tralia/New Zealand. The resources to grow their online forums. PPFA provides a portal for craft. The PPFA strives to continued on page 40 members to access informa- provide education to framers ART WORLD NEWS JAN15-CJR-Onepage_Layout 1 1/8/15 3:30 PM Page 1 PRESENTS THE WORK OF Ferjo Cheetah with Cub Acrylic on Canvas 40” x 30” Alexander Antanenka Walk of Love Acrylic on Canvas 20” x 20” 561-333-9472 Ferjo, Alex Antanenka and Alex Zwarenstein Alex Zwarenstein Fife Harbor Oil on Canvas 16” x 20” www.cjrfinearts.com JAN15-CJRspread-pg1_Layout 1 1/8/15 3:31 PM Page 1 Introduces the Mixed Media Acrylic on Canvas Work of COTRINO Galloping in the Morning Light 40” x 30” The Model 40” x 30” Mother and Child 40” x 30” 561-333-9472 www.cjrfinearts.com JAN15-CJRspread-pg2_Layout 1 1/8/15 3:32 PM Page 1 New York Times Square 30” x 40” YANA RAFAEL Introduces the Acrylic on Canvas Work of A Day in Barcelona 30” x 40” View of New York’s West Side 30” x 40” JAN15-Roma page REV_Layout 1 1/14/15 2:48 PM Page 1 LARSON-JUHL EXPANDS JEPARA COLLECTION WITH SHADOWBOX FRAME THE ‘WOW’ OF ROMA FAMILY CULTURE Roma Moulding is attracting interest, not only from framing retailers large and small, but from international corporations. The moulding supplier, in business 30 years, is known for its fine Italian mouldings, as well as its simpler lines. NORCROSS, GA—Originally launched with two profiles in an ivory finish, Larson-Juhl’s Jepara Collection has grown to include a deep shadowbox frame and a new iridescent champagne finish to complement the popular gold trend seen in today’s home furnishings. Jepara, featuring handapplied capiz shells, is designed to be a natural fit with wedding photographs and keepsakes. Visit the website: www.larsonjuhl.com. FRAMERICA.COM REIMAGINED YAPHANK, NY—Framerica announces a complete redesign of its website Framerica.com where ease of browsing and ordering are key characteristics. “It encompasses everything our customers told us they loved about our site with the addition of many great new features,” notes Corinne Ferrara, director of marketing. The site is now fully mobile-ready for smartphones and tablets; registered users can create wish lists, and Framerica has expanded upon its inspiration page where a user can access unique framing projects and their “recipes.” Call (800) 372-6422 or visit the website. PAGE 32 tick; the Inspired Tour where participants can pick the brain of a team leader; and the Wow Tour, a how-to guide for all things Roma, including a meet-and-greet with Tony Gareri. At the heart of the comTony Gareri, Roma Moulding CEO, pany, led by CEO Tony The Roma Tour is with one of the children in Haiti. Gareri, is the Roma Family free, and the InCulture that is enthusiasti- spired and Wow tours cost profound impact on our cally espoused by all who $50 and $95 per person, re- lives,” says Tony Gareri. work there. The intent is to spectively. Proceeds benefit spread happiness and blur the Roma Wish Fund that Photographs from the trip the lines between work and supports a number of philan- will be displayed in Roma’s play. This concept has thropic causes. Just last fall, booth at the West Coast Art caught the attention of some seven Roma team members & Frame Expo in January in leading corporations who hopped on a plane to Haiti, Las Vegas. Each of Roma’s have sent representatives to giving up their time to work partners, including all those visit Roma and learn more with Hands Across the Sea – it does business with and about its way those who have of doing busiparticipated in ness by movthe Roma tours, ing, inspiring, will also be honand wowing all ored in its booth those its peo(#725). ple come in contact with. Another highNumbered light that it will among those share with trade that have parattendees who ticipated in visit its booth is tours of the that a Roma 75,000-square moulding was -foot Roma selected to headquarters Roma volunteers pictured in Haiti with HATS-Haiti mem- frame the Peter in Woodbridge, bers and local children. Front row, from left: Tania SanLik photograph Ontario, are tana, Camilla Brown, HATS-Haiti founder Karen Huxter, that recently sold M e r c e d e s - Tony Gareri, and Paul Mitchell. Back row, from left: Rich for a record $6.5 Benz, Canon, Huisman and Al Cherpak. million. Lik workRoyal Bank of ed with Tony Canada, and FedEx, as well Haiti, a non-profit organization Gareri to select the moulding as Pop artist Romero Britto, serving needy children and for the black-and-white maswhose work is in the perma- families in Deschappelles. terpiece: (#99908045) for nent collections of many the outside, a silver leaf U.S. museums. They rolled up their Ramino frame (#4921044) for sleeves and performed the inside, and a satin black Last year alone, over 60 whatever task needed to Ramino frame (#133001) for tours were conducted. They be done, including building the middle. There will also be are offered by Roma at three benches, cleaning facilities, an unveiling at the show of levels: There’s the Roma and caring for some of over 50 new Roma mouldTour, where visitors dip their Haiti’s most vulnerable peo- ings. To reach the company, toes in and get a sense of ple. “The experience chang- visit: www.romamoulding what makes this company ed us all and made a .com or call (800) 263-2322. ART WORLD NEWS *Ad Template-revised_Layout 1 3/20/14 12:25 PM Page 1 *Ad Template-revised_Layout 1 1/12/15 10:50 AM Page 1 *Ad Template-revised_Layout 1 1/12/15 10:53 AM Page 1 Sagebrush-left-JAN15_Layout 1 1/14/15 9:33 AM Page 1 Sagebrush-right-JAN15_Layout 1 1/14/15 9:36 AM Page 1 JAN15-Frame Design POP page 1_Layout 1 1/14/15 12:21 PM Page 1 DETAILS OF A FRAME DESIGN HOW ABOUT A POP OF COLOR? by Greg Perkins There is a difference in the way most fine art and decorative art is framed. Fine art is generally presented in a Example #1 the room, but sometimes you can do both. If one of your clients loves color, why not explore the options of how you can satisfy them, while still enhancing the art and presenting it tastefully? There are true art collectors who buy art they love, but the majority of the people buying art seem just as interested in whether or not it matches their room. When that is their mindset, why not follow through and tie it more neutral, classic manner and decorative art is often framed to coordinate with the room where it will be hung. Framers are typically trained to choose framing to enhance the art, not match PAGE 38 all together in a perfect package that all looks like it was custom made for each other? In this case, as in Example #1, above left, the addition of a turquoise liner inside the more neutral frame, the framed art has the strength to stand up to the accents, you can choose bold bedding and drapes in from fabric wrapped liners, the room. Without the liner, narrow painted frames, or the colors in the art still relate fillets. Between all of these to everything in the room, but that pop of Example #2 color really helps call attention to the art. Here, immediately below, is a room void of color, with the exception of a limited, neutral palette. The three pieces of art, one of which is shown to the right, each have some citrus green in them, providing a great opportu- nity to introduce a small green accent in the framing. options, there’s a plethora of colors available. When you use color sparingly, it can enrich the art whereas too much color has the tendency to cheapen it. When selecting your color This green is the perfect touch to add a little surprise to this sophisticated room. continued on page 40 ART WORLD NEWS *Ad Template-revised_Layout 1 1/5/15 4:18 PM Page 1 JAN15-Frame Design POP page 2_Layout 1 1/14/15 12:24 PM Page 1 DETAILS OF A FRAME DESIGN A POP OF COLOR continued from page 38 its best, not take away from it. • Err on the side of too little color than too much. Nar- version of the color than one that is more vibrant. Color can also serve as a balancing agent. In the set of four art pieces, far Example #3 right, the two with striped backgrounds attract more attention than the two with solid black backgrounds. The black frame has a calming effect on the colorful backgrounds of the striped pieces, but that same frame would have looked lackluster adjacent to the black backgrounds on the other two. By adding the narrow red frame inside the black on all four, it strengthens the two black pieces and unirow frames, liners, and filfies the set of four with anlets do a great job of proother common element. viding enough of an accent for most pieces of art. Tips for Choosing Color • When choosing colors, Accents: you usually can’t go • Always think of the art as wrong with a perfect the star and the frame as match. When that isn’t an the co-star. The frame option, it is smarter to should help the art look choose a more muted Color can be your friend so don’t be afraid of it. PPFA continued from page 28 would otherwise not have entered my store.” Ms. Gentry is encouraged by the stories of fellow PPFA members, as well as her own. “In my business it seems custom framing is on the rise. After several years of decline I am seeing more items coming in for custom framing. I believe clients are bringing in objects that have sentimental value and they want to have these pieces framed to pass along to family members. Also, people With social media being such a vital form of communication today, we are reaching out via Facebook, Twitter, and our website.” Personally for Ms. Gentry at her B&J Gallery, she has noticed that being available to customers on various technological platforms has helped her to educate and show people all that custom PAGE 40 framing has to offer. “We carry Artaissance (www.art thatfits.com) and refer clients to our site when looking for artwork,” she says. “We will encourage clients to browse the site themselves.” Another venue to grow sales for B&J has been selling on eBay. “The eBay store works well for us. The main job then becomes updating our listings, but it has allowed me to sell prints to collectors across the country that When you are framing for gallery display, sticking with classic, neutral designs does help make the design more versatile so it has the best chance of appealing to the broadest audience. When you have a chance to create a frame design for a specific person who is buying art for their home, take the opportunity to create a truly custom design, includ- ing some color when it is appropriate. Greg Perkins is the Customer Programs Manager for Larson-Juhl. He may be reached at: Greg_Perkins @larsonjuhl.com. are looking to have things customized to their surroundings. They are looking to have items framed to represent their personal style.” The 2015 PPFA president will be announced at the All Member Meeting during the PPFA Convention, January 25–28 in Las Vegas. To learn more about the PPFA, call (800) 762-9287 or: www.ppfa .com. For Robin Gentry, call B&J Gallery, (270) 842-3801 or: www.bandjgallery.com. ART WORLD NEWS *Ad Template-revised_Layout 1 1/13/15 2:44 PM Page 1 JAN15-Rob Arra page_Layout 1 1/14/15 1:13 PM Page 1 BEHIND THE LENS ROB ARRA & THE EVERLASTING ART OF SPORT For over 40 years, Rob Arra U.S. hosted the World Cup has been a professional pho- Soccer tournament, he travtographer. He started photo- elled to all nine cities to phographing tograph the yachts from games. Rob helicopters spent years acfrom Monte quiring licensCarlo to St. ing rights with Tropez, and the NFL, MLB, then returnthe MLBPA, ed to AmerNHL, NBA, ica with the Rob Arra with his dog Molly N A S C A R , special cam- in front of a display of his USTA, the CLC era that photographic work. (Collegiate Liwould capcensing Compture a panoramic image on any) and the LRG (Licensing high quality film. Resource Group). He has Baseball Hall of Fame, Football Hall of Fame, Babe Ruth Museum, Ted Williams Museum, and the Boston Museum of Fine Arts where, a couple of years ago, he shared a display of his work with that of Norman Rockwell. Numerous pictures from the Rob Arra Collection can be seen on movie and TV sets including, respectively, Moneyball and Cheers. table Who’s Who in America. Rob donates his work to children’s hospitals for auction. One photo fetched $28,000 to benefit Boston Children’s Hospital. Rob says the feeling of your work being able to create that amount of money for a good cause keeps him going each day. Over the years, Rob has captured fathers, sons, and grandfathers at events so He also has photographed that when someone takes a major concerts for Mick Jag- magnifying glass, they may ger, Michael Jackson, Bruce find a member of their family or friend in one of Rob Arra, owner of his stadium panEverlasting Images, oramics. When Cape Neddick, ME, you think back to open edition print major sporting publisher of The Rob events you have Arra Collection of been to with your panoramic photofamily, he says, graphs, has captured Of all of Rob Arra’s collection, his favorite is the ’99 All-Star Game at Fenway think of finding over 750 stadiums Park, Boston. This panoramic photograph of a July evening in Rob Arra’s home- yourself in one of during the almost 30 town represents “The most beautiful night of my life in photography.” the Rob Arra Colyears since the comlection stadium pany’s founding. The travel photographed five presidents Springsteen, The Grateful images. His panoramic phohas been extensive doing throwing out the first pitch or Dead, ZZ Top, Diana Ross, tographs are to be found in between three and five sta- making an appearance. He and many others. Quite boardrooms, offices, man diums per week at times, has followed the tall ships often he has been asked by caves, and on movie and TV photographing all Major from all over the world in a family members of stars of sets. They are in the offices League and college events, helicopter, and estimates he sports and the arts and poli- of senators and congressand also auto racing and ten- has done more than 39,000 tics for a photograph of their men, and on private yachts. nis. Sometimes he returns to images from that aerial plat- relative that they can give a stadium four or five times form. His specialty, though, them as a gift, such as He hopes that someday to get that perfect image. He has always been the stadium Springsteen’s 60th birthday, these photos will be found Jimmy Connors’ 40th, and on settlements in space as makes sure he never misses panoramics. Hank Arron’s 70th. Rob has people will want a picture to a special event, and will always be there for first and He feels that one reason always given such photo- display on their wall of an last pitches. He has pho- for his success is that he graphs gratis. He can boast event they will never forget. tographed Super Bowls, uses a special camera built in of “thank you” notes from For the Rob Arra Collection AFC and NFC champi- Austria in the mid-’80s and past presidents, many Major and Everlasting Images, call onships and college champi- the best kind of film he can. League players, owners, and (800) 937-0987 or visit: onships. In 1994, when the His work is shown in the hundreds of actors—a veri- www.robarracollection.com. PAGE 42 ART WORLD NEWS *Ad Template-revised_Layout 1 1/12/15 11:26 AM Page 1 AUG14-Watercolor Paper page 1_Layout 1 1/14/15 11:54 AM Page 1 TECHNOLOGY EPSON WATERCOLOR PAPER REVIEW by Sarah Seamark Following the release by Epson America of its Exhibition Watercolor Paper Textured, we invited two artists and two photographers to print their work on this cotton fiber digital fine art paper and give us their opinions. Those participating in the review are artists Ford Smith of Ford Smith Fine Art and Marc Fattahi of Painting in Motion; and photographers David Margolis of Skyviews Survey, an arial photography business and also a fine art printer; and Sam Mehta of Sam Mehta color paper. “But it did a beautiful job on that particular print.” He notes the vibrancy as well as the fidelity of the color. “Now I just need to find a customer who wants print editions because it would be a really nice kind of product to work with!” “Deux Ponts” by David Margolis, a panoramic shot of Lower Manhattan. edges. You get that real ‘raggy’ feel, and that is what you want from my perspective. The color is good. It has just a little creaminess and is a nice, neutral paper. It doesn’t smell, and that is good, because with some papers, by the time you are done with the toners, if you are doing a lot of print“Rhine River” by Marc Fattahi. ing, there is Images, photographer and a distinct smell.” explorer. He found the profiles supDavid Margolis appreci- plied to him by Epson ates the look, feel, and loaded easily and were smell of Epson’s Exhibition pretty accurate. “If someWatercolor Paper. “The first one is using this paper all thing is, when you pull the the time, they might do a paper out of the box, you custom profile,” he adds. can feel the quality. It has He printed from a watergreat texture, it’s heavy, no color file, using a 44-inchcurl in it, and it has clean wide Epson 9880, and tried PAGE 44 Marc Fattahi tested the paper by printing his watercolor painting “Rhine River,” shown left, that he created some years ago when he was living in the Beaujolais region of France and was focusing on watercolors. After reviewing the piece, he found it to be of an excellent quality, refecting the best of his work, with a nice heavy tooth (strong grip). to make it look as good as he could on his monitor. “By looking at the monitor and then at the print, I think it prints just a touch heavy, so I had to back off a little on the ink. But everyone’s printer is a little different. As long as you start with a good digital file and have a calibrated monitor, it should be really nice. If someone is going to print a series, I think it would be very saleable. It Ford Smith’s “Life Everlasting.” holds detail beautifully. I can read the “What impressed me the Verizon sign in the print of most when I printed it is that Lower Manhattan, ‘Deux it looks just like the original Ponts,’ (shown at the top of watercolor. You really have this page). It prints sharp as to look through a loop to see a tack!” He goes on to ex- that this is not an original, but plain that, in general, the a reproduction. You can trust sharper the image, the less continued on page 45 you are seeing it as a water- ART WORLD NEWS AUG14-Watercolor Paper page 2_Layout 1 1/14/15 11:56 AM Page 1 PAPER REVIEW continued from page 44 who wants to reproduce a watercolor painting. They (Epson) figured everything out!” “I am at a loss to offer techthis paper to be one of the nical sugnext generation for giclées. gestions It is very advanced. It shows for imboth the pigmentation and Sam Mehta comprovement the brushstrokes.” He found ments, “I tested a since my also that the paper lends it- couple of images—a expertise in self particularly well to a portrait and a landpaper and painting executed in trans- scape. I chose picprinting is parent watercolor, known tures that would make Sam Mehta’s grandsomewhat as aquarelle. “I would good candidates for daughter Arianna at limited. But recommend it to any artist watercolor paintings. I two months. as a phow a s tographer, amazed to I was impressed with the see how outcome.” close they look to a Ford Smith says, “First, I painting but like its ‘toothiness.’ It has a they do lose heft that makes it feel more the charac- substantial than what is typter of being ical in fine art paper. More photographs. importantly, I think it capIf this was tures the vibrancy of my the intent, work with a perfect level of The view at sunset from Sam Mehta’s studio Epson suc- saturation. I like the way the ceeded! ink rests on this paper as it in Aventura, FL. retains the crisp lines and layers of colors flawlessly. Good paper. I like it a lot. Can we get some?” Marc Fattahi, Painting in Motion, Stamford, CT: www. paintinginmotion.com, (203) 329-0000. David Margolis, Skyviews Survey, Stamford, CT: www. skyviewsurvey.com, (203) 359-3754. Sam Mehta, Sam Mehta Images, Aventura, FL: www. sammehtaimages.com, (203) 912-7626. Ford Smith, Ford Smith Fine Art, Roswell, GA: www. fordsmithfineart.com, (770) 552-5942. To learn more about Epson papers and printers, visit: www.proimaging.epson.com. EPSON WATERCOLOR PAPER TEXTURED CHARACTERISTICS Epson Exhibition Watercolor Paper Textured is specifically engineered for fine art printmakers, artists, photographers, and museums. As a part of Epson’s portfolio of Signature Worthy media, it is designed to deliver a distinctive feel along with rich blacks, a wide color gamut, and smooth tonal gradations for the ultimate in quality, both visually and in tactility. “In response to the growing demand for a superior cotton fiber digital fine art paper ART WORLD NEWS with the look and feel of a traditional artist’s watercolor paper, Epson worked in collaboration with the world’s leading creative professionals to design an extremely versatile paper that meets their requirements,” says Jeff Smith, product manager, Epson America Inc. “The unique textured surface, combined with industry-leading physical properties and exceptional roll-toroll consistency, offers professional photographers and fine artists an excellent new paper to better exhibit their work.” This paper is manufactured with the mould-made process, utilizing custom-made felts for a highly textured watercolor surface and finish to help achieve the best combination of image quality and permanence. In addition to the 22 mil caliper and 310 gsm, it is 100% cotton fiber and acid, lignin, and OBA-free. It is available through Epson authorized resellers in the following sizes: roll widths of 17, 24, and 44 inches; and cut sheets measuring 8 1/2 by 11, 13 by 19, and 17 by 22 inches. Manufacturer’s suggested retail prices: 17” by 50’ roll $149. 24” by 50’ roll $209. 44” by 50’ roll $389. 8 1/2” by 11” cut sheets (25 per box) $49. 13” by 19” cut sheets (25 per box) $129. 17” by 22” cut sheets (25 per box) $189. For more information, visit: www.proimaging.epson.com. PAGE 45 JAN15-Cover story page 4_Layout 1 1/14/15 12:13 PM Page 1 ART & FRAMING 2015 DOING BUSINESS IN 2015 continued from page 22 artist then proceeds to put Liss Gallery on their CV. “This is a brand that I have to protect and nurture,” observes Mr. Liss. “I am an artist, too. It is important to recognize that this is about the money—but not just about the money. It is a wonderful thing to be here for people, and for people to be here for you—and at the same time, to foster people’s interest in the arts.” New Directions In Framing Diversify, diversify, is the watchword of Rob Markoff of Artrageous who points to the fact that his wife Barbara‘s presentation at The National Conference at the WCAF Expo is on “Thinking Outside the Frame.” Mr. Markoff notes, “The new aesthetic is not necessarily something that is framed with four sticks of moulding.” A synopsis of this seminar, presented in the conference brochure produced by Hobby Publications, notes that there are many exciting ways to sell artwork to clients that go beyond the traditional custom framing to the new generation of customers. Such ideas include facemounting photography on acrylic sheets. Tru Vue has recently introduced TruLife, single-sided anti-reflective acrylic developed specifically PAGE 46 for face/second surface mounting and direct print applications. Barbara Markoff will also explore ideas such as colorplaking, digital printing on metal and bamboo, painting on boxes, and installing digital prints with standoffs. “When your clients want a broader range of art decor, you should expand your product offerings and be ready with some creative options,” she says. (The class takes place on Sunday, January 25, 1–3 p.m.) radery. We have to pull together and share to make the industry work—and there are a lot of ways to do that.” She points to the PPFA Framers’ Corner Online Forum where members go to meet others and find answers to questions. “We have to help each other out,” says Ms. Collins. ideas and you always come back refreshed.” Ms. Collins’ specialty is shadowbox framing, and a relatively new niche is Framing for Fido, making petthemed shadowboxes. She makes them personal to each animal, according to the customer’s wishes. Some are memorials, and may include framing the dog’s collar and personal effects. Others house ribbons and awards such as those for agility dogs. “These are things that people are really proud of.” For 2015, Ms. Collins also intends to promote package pricMr. Markoff ing for framing. She says that at Arhad a promotion at a trageous, many Ellen Collins, owner of Howard’s Art & Frames recent Small Business projects are sub- in Hagerstown, MD, has found a niche “FramSaturday for framing contracted and, ing for Fido,” making pet-themed shadowflat art, no more than as the framer, he boxes. Retail prices for her shadowboxes begin 16 by 20 inches, for benefits from the at $150 and go up to around $1,300. Shown $79.95. The package sale and the here is a memorial to Pudgie, a dog who was included Tru Vue’s installation. That rescued and changed a woman’s life. Conservation Clear way, he says, Visit: www.howardsartandframes.com. glass, two archival “We can have quality mats measuring multiple projects being comEven 20 years ago, she 2 and 2 1/4 inches, and prepleted at the same time.” would meet for breakfast servation mount. each week with three local At Howard’s Art & Frames framers to share ideas. “I The promotion brought in in Hagerstown, MD, owner have always been open 25 pieces of art to frame in Ellen Collins, who was PPFA and inclusive.” Referring to one day. They were mostly vice president in 2014, Framers’ Corner, she says, people she already knew at stresses the important role “It’s not going to hurt some- Howard’s Art & Frames. “But of communication in stren- one in Nevada if I copy what what I care about is that they gthening the industry in they are doing in Maryland.” brought in art (to frame). 2015. “One of the things I An important means of They had not brought it in a like about the PPFA is that getting new ideas and inspi- week or a month before. It when someone comes up ration is to attend shows, was a very big success.” with a good idea, they share she says. “Oh my goodcontinued on page 48 it. There is that sort of com- ness. You get so many ART WORLD NEWS Godard~JAN15 _Layout 1 1/13/15 2:48 PM Page 1 JAN15-Cover story page 5_Layout 1 1/14/15 2:32 PM Page 1 ART & FRAMING 2015 DOING BUSINESS IN 2015 continued from page 46 Cliff Wilson, owner of Framed in Tatnuck, Worcester, MA, is a big believer in package pricing. He offers a Frugal Framing Package for a 16- by 20-inch piece of art for $59.95. The customer has a choice of selected wood and metal frames in different styles of gold, silver, wood tones and black; hinge mount, regular glass, and a single Artique conservation mat, available in many colors. For a $10 upgrade, the customer gets UV protected glass; for another $10, non glare; and for $15 more, a second mat, and for a little more, a fabric mat. “By the time you are done, you have upgraded and upgraded, so a customer rarely pays $59.95.” He makes a higher gross margin on these jobs because he buys close-outs. His intent is to beat his competition on price. “And I want to tell you how well it is working. I would have been out of business in ’08 and ’09 if I didn’t have it.” Mr. Wilson also offers higher end framing, with retail prices up to $3,000 and an average ticket of $250 to $300. All of his framing jobs, from the Frugal Framing Package to the high end are custom framing, although he refers to it as à la carte framing as people understand that terminology. “I personally believe that I lose very few à la carte frames to frugal frames,” he says. The PAGE 48 Frugal Framing Package appeals mostly to new customers, and he advertises it in places where people are looking for bargains. However, there is no compromise on the design, and the materials are all those that he has in stock. “They go back to their car and get three or four pieces,” he clude the Worcester Art Museum, the U.S. Presidential Museum, and the American Antiquarian Society in Worcester. fuse the dreaded phone call where the customer says, “I have a picture xx by xx inches, how much will that cost?” “When you give the usual answer, ‘It can vary In most manufacturing depending on what material companies, labor is consid- you pick out. Bring it in and ered a variable cost. “I firmly we can give you a quote...’ believe that this is wrong for You usually lose them. us because picture framers They’re asking for a price because they’re Cliff Wilson, scared of what owner of you might say. Framed In TatWith package nuck, Worcespricing you can ter, MA, offers say ‘The price framing servstarts at $xx.xx, ices across the but could be board, from a more if you Frugal Framing select certain Package to options.’ Now, framing for they know what local musethey can ‘get ums. The reby with’ and quirements for they have a this framing real number to project, think about. shown, were This is an imthat the customer could still see the back of the figurine, and he could portant factor hang it on a wall. The moulding is Larson-Juhl 573IG and the shadowbox in taking the measures 22 by 12 inches. Visit: www.FramedInTatnuck.com. fear and guess work out of says. “I am now in my tend to have the same hours custom framing. twelfth year of business, set for their employees, so and we have grown every labor is a fixed cost. You are “I spend a fair amount of year, including during the re- not paying anyone any more time trying to make framers cession. In those two years money (to make the package understand how valuable of the recession, the fram- frames),” he explains. Mr. this is and how little (if any) ing package made up 60% Wilson estimates that three negative impact it would be of my business, and was framing packages can be to their offerings. There are bringing in new customers.” made in the same time that it shops in which it would not For the past year, he esti- takes to complete one regu- fit their brand image, but mates the Frugal Framing lar custom framing job. most would benefit greatly package accounted for 40% “There is probably a little from a proper implementaof gross revenue. He has more labor in these jobs, but tion of package pricing.” 3,000 framing samples that that doesn’t matter.” run the gamut up to 22k gold handmade finished-corAnother advantage of the Sarah Seamark is Editor in ner frames. His clients in- package is that it can de- Chief of Art World News. ART WORLD NEWS JAN15-Calendar - horiz_Layout 1 1/14/15 11:27 AM Page 1 CALENDAR January 25–28: PPFA Annual Convention, Paris Hotel & Casino, Las Vegas. For attendee registration, visit: www.wcafexpo.com. Contact the PPFA’s Nick Shaver at (800) 762-9287, ext. 106, or visit the website at: www.pmai.org/ppfa. January 26–28: West Coast Art & Frame Expo, Paris Las Vegas Hotel & Casino. (National Conference workshops and seminars begin on January 25.) Visit: www.wcafexpo.com or for questions on the trade show, e-mail: wcaf@hobby pub.com, for The National Conference: pfmseminars@ hobbypub.com. ART WORLD NEWS January 29–February 1: Art Los Angeles Contemporary, The Barker Hanger, Santa Monica, CA. Produced by Fair Grounds Associates. Visit: www.artlos angelesfair.com or call (323) 851-7530. Visit: www.artwynwood.com or call (800) 376-5850. February 12–15: Palm Springs Fine Art Fair, Palm Springs Convention Center, Palm Springs, CA. Produced by Hampton Expo Group. For details, visit: www.palmspringsfineartfair. com or call (631) 283-5505. March 4–8: The 27th annual Art Show, Park Avenue Armory, New York. Produced by the Art Dealers Association of America. For details: www.artdealers.org. February 12–16: Art Wynwood, Art Miami Pavilion, Collins Ave., Miami. Produced by Art Miami LLC. February 13–15: Southeastern Wildlife Exposition, Charleston, SC. For details, visit: www.sewe.com or call (843) 723-1748. March 5–8: The Armory Show, Piers 92 and 94, New York. Produced by Merchandise Mart Properties. For more details, go to: www.the armoryshow.com. March 25–29: The Affordable Art Fair, Metropolitan Pavilion, New York. Visit: www.affordableartfair.com for information, or call (212) 255-2003. April 18–23: International Home Furnishings Market, High Point, NC. Visit: www. highpointmarket.org or call (800) 874-6492. April 23–26: Artexpo New York, SOLO, and Decor Expo, Pier 94, New York. Produced by Redwood Media Group. Telephone Eric Smith at (216) 225-0962, Rick Barnett at (831) 747-0112 for details, or go to the website: www.artexponewyork.com. PAGE 49 JAN15-noe-pg1_Layout 1 1/14/15 12:39 PM Page 1 WHAT’S HOT IN OPEN EDITIONS Nuzzle “Nuzzle” by Gary Crandall measures 36 by 24 inches and retails for $35. Call Sagebrush Fine Art, Salt Lake City, Utah, at (800) 643-7243 for more information or visit the company’s website located at: www. sagebrushfineart.com. Here are the best selling prints from the months of November and December Tyrannosaurus Rex Study Woodland Glow “Woodland Glow” by Andreas Stidsberg measures 28 by 28 inches and retails for $48. Telephone Rosenstiel’s, London, in the U.S. at (480) 305-0714 for more details or go to: www.felixr.com. “Tyrannosaurus Rex Study” by Ethan Harper measures 40 by 18 inches. The retail price is $85. Telephone World Art Group located in Richmond, VA, at (804) 2130600 or go to the company’s website located at: www.theworldartgroup.com. Garden Flowers II Yellow Leaves Rays “Garden Flowers II” by Christine Stewart measures 24 by 36 inches and retails for $35. For further information, telephone Haddad’s Fine Arts, Anaheim, CA, at (800) 9423323 or go to the website located at: www.haddadsfinearts.com. 12 Yard Line–Louisiana State University “12 Yard– Louisiana State University” by Rob Arra measures 39 by 13 1/2 inches and retails for $29.95. For more details, phone Everlasting Images, Cape Neddick, ME, at (800) 937-0987 or go to: www.robarracollection.com. PAGE 50 “Yellow Leaves Rays” by Lars Van de Goor measures 36 by 24 inches and retails for $35. Image can be resized and printed on canvas. For further information, telephone Image Conscious, located in San Francisco, at (800) 532-2333 or visit the company’s website at www.imageconscious.com. ART WORLD NEWS JAN15-noe-pg2_Layout 1 1/14/15 1:02 PM Page 1 Light Spring II “Light Spring II” by Giampaolo Pasi measures 48 by 24 inches and retails for $40. For details, call Bon Art, Norwalk, CT, at (203) 845-2333 or: www.bonartique.com. Here are the best selling prints from the months of November and December Neon Dreaming I Country Gardens II “Country Gardens II” by Zachary Alexander measures 12 by 16 inches and retails for $16. Image can be resized for canvas. Call Classic Collections Fine Art, Irvington, NY, at (914) 591-4500 for more information or visit the company’s website located at: www.classiccollections.com. Floral Sway I “Floral Sway I” by Lanie Loreth measures 22 by 28 inches and retails for $25. Telephone SunDance Graphics, Orlando, FL, at (800) 617-5532 for details or visit the website: www.sdgraphics.com. San Francisco 49ers–Inaugural Game “San Francisco 49ers –Inaugural Game” by photographer Christopher Gjevre measures 40 by 13 1/2 inches and retails for $30. Call Blakeway Worldwide Panoramas Inc. located in Minnetonka, MN, at (800) 334-7266 for more information or go to the company’s website located at: www.panoramas.com. ART WORLD NEWS “Neon Dreaming I” by THE Studio is an open edition giclée on paper ($247) measuring 42 by 42 inches. Also available in many sizes and on many substrates. Phone Grand Image, Seattle, for details at (206) 6240444 or go to: www.grandimage.com. Bee Happy “Bee Happy” by Deb Strain measures 9 by 18 inches and retails for $15. For further information, telephone Penny Lane Publishing, New Carlisle, Ohio, at (800) 2735263 or go to the website located at: www.pennylane publishing.com. PAGE 51 JAN15-OE_Layout 1 1/14/15 1:06 PM Page 1 OPEN EDITION PRINTS Image Conscious SunDance Graphics "Cape Cod Sailboat I" by Patricia Pinto Image Size: 24” x 24” $25 E-MAIL: www.sdgraphics.com www.sundancegraphics.com [email protected] 9580 Delegates Dr. Orlando, FL 32837 407.240.1091 Editions Limited “The View That Startled Grieg” by Jeffrey Beauchamp Image size: 36” x 24” Retail price: $40 Available as Print On Demand on paper and canvas. 800.228.0928 www.editionslimited.com E-MAIL: [email protected] 4090 Halleck Street, Emeryville, CA 94608 Image Size: 48” x 24” E-MAIL: [email protected] 2187 NW Reed St., Portland, OR 97210-2104 PAGE 52 800.532.2333 www.imageconscious.com Image Conscious “Sand in the Sheets” by Karen Hollingsworth Image Size: 27” x 27” $35 Image can be resized and printed on canvas. www.imageconscious.com Haddad’s Fine Arts Inc. “Casa Blanc II” by Jeni Lee www.gangoeditions.com Image Size: 24" x 30" $34 Image can be resized and printed on canvas. 800.532.2333 Gango Editions 800.852.3662 “Circus Romance” by Duy Huynh “Repose” by E. Jarvis Image Size: 26” x 26” Also available as a custom size giclée. 800.942.3323 Fax: 714.996.4153 www.haddadsfinearts.com E-MAIL: [email protected] 3855 E. Mira Loma Ave., Anaheim, CA 92806 ART WORLD NEWS JAN15-Classifieds_Layout 1 1/14/15 1:08 PM Page 1 CLASSIFIEDS SERVICES “THE MOST BEAUTIFUL THINGS IN THE WORLD ARE OURS TO HOLD” www.easelsbyamron.com PH: 1-800-44-EASEL Easels by Amron has satisfied the display needs of businesses, museums and collectors for over 30 years with our wide variety of easels. We offer quick delivery and exceptional customer service to assist you in meeting your art display needs. Use Coupon Code: AWNJan14 to receive 30% off orders. Visit us online Expires January 31, 2015 www.artworldnews.com CLASSIFIED ADVERTISING WORKS! Advertising in ART WORLD NEWS is a constant reminder of who you are, what you do and how you can be reached. 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ArtCustom World News Book Publishing PHONE: 203.854.8566 e-mail: [email protected] www.artworldnews.com ART WORLD NEWS PAGE 53 JAN15-index_Layout 1 1/14/15 3:24 PM Page 1 ADVERTISERS COMPANY LISTING PHONE PAGE COMPANY LISTING PHONE PAGE Arnot Galleries ..................................................................56 Max Art Productions LLC ....................................................53 www.arnotgallery.com www.maxartpro.com 212.245.8287 702.478.3305 Bon Art ............................................................................15 Michael Godard Fine Art Associates ....................................47 www.bonartique.com www.michaelgodard.com 203.845.8888 702.478.3301 CJR Fine Arts ........................................................29, 30, 31 Park West Gallery ..............................................................49 www.cjrfinearts.com www.parkwestgallery.com 561.333.9472 800.521.9654 Crescent ..........................................................................25 Parrot Digigraphic Ltd. ..................................................8, 53 www.crescentpro.com/couture www.parrotcolor.com 888.293.3956 877.727.7682 Decor Moulding/SouthernMoulding ....................................39 P. Buckley Moss Galleries Ltd. ................................................5 www.decormoulding.com www.pbuckleymoss.com 800.937.1055 800.430.1320 Editions Limited..................................................................52 Pease Pedestals ................................................................17 www.editionslimited.com www.peasepedestals.com 800.228.0928 847.901.4440 Eric Christensen Fine Art & Editions ........................................6 Penny Lane Fine Art & Licensing ..........................................11 www.ericchristensenart.com www.pennylanepublishing.com 669.231.9945 800.273.5263 Everlasting Images ............................................................43 POD Exchange ..................................................................13 www.robarracollection.com www.podexchange.com 800.937.0987 888.406.2858 Framerica ....................................................................1, 21 Roma Moulding ................................................................33 www.framerica.com www.romamoulding.com 800.372.6422 800.263.2322 Framing Fabrics ................................................................27 Sagebrush Fine Art ......................................................36, 37 www.framingfabrics.com www.sagebrushfineart.com 800.832.2742 800.643.7243 Gango Editions............................................................13, 52 Smart Publishing ......................................................9, 34, 35 www.gangoeditions.com www.smart-publishing.com 800.852.3662 954.282.6945 Gleadwind Publishing ........................................................17 Studio EL ..........................................................................23 www.johnmarkgleadow.com www.studioel.com 540.416.4529 800.228.0928 Haddad’s Fine Arts Inc. ......................................................52 SunDance Graphics ..........................................................52 www.haddadsfinearts.com www.sundancegraphics.com 800.942.3323 407.240.1091 Image Conscious ..............................................................52 Ten Plus Inc. ......................................................................41 www.imageconscious.com www.springdaledesign.com 800.532.2333 888.944.8899 Thomas Kinkade ................................................................11 Tru Vue Inc. ......................................................................19 www.tkopportunities.com www.tru-vue.com 800.366.3733, ext. 3 800.621.8339 Larson-Juhl ......................................................................2, 3 Wild Apple ......................................................................55 www.larsonjuhl.com www.wildapple.com 800.438.5031 800.756.8359 Lyrical Fine Art ..................................................................15 World Art Group ................................................................4 www.lyricalfineart.com www.theworldartgroup.com 631.787.8585 804.213.0600 Art World News, (ISSN 1525 1772) Volume XX, Number 1, is published 10 times a year by Wellspring Communications, Inc., 143 Rowayton Ave., Rowayton, CT 06853. (Phone 203.854.8566) (Fax 203.900.0225). Single copy price $10. Send address changes to: Art World News, P.O. Box 129, Rowayton, CT 06853. PAGE 54 ART WORLD NEWS *Ad Template-revised_Layout 1 1/8/15 3:41 PM Page 1 Arnot-JAN15_Layout 1 12/17/14 11:37 AM Page 1 ‘Reality Bites’ ~ Luigi Rocca Original Painting Exhibition at Arnot Gallery Luigi Rocca ‘Increases Hole Value When Lit’ Original Painting 24x32 in. Arnot Gallery, Exclusive Artist Representative in USA ARNOT GALLERIES, SINCE 1863 HERBERT ARNOT, INC. 250 West 57th Street, 10th Floor, New York, NY 10107 Phone: 212-245-8287 • 'After Hours' phone number: 917-570-7910 E-mail inquiries: [email protected] www.arnotgallery.com
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