Ernesto Sabato El túnel

Ernesto Sabato
El túnel
Title: El túnel
Author: Ernesto Sabato
Format: Paperback
Language: Spanish
Pages: 158
Publisher: , 0
ISBN: 9871144261
Format: PDF / Kindle / ePub
Size: 7.1 MB
Download: allowed
Description
Breve e intensa novela publicada en 1948, este logrado fruto de la denominada "literatura
existencial" le dio a su autor un reconocimiento que traspasó las fronteras nacionales. Para
quien todavía no la leyó, El túnel es la mejor introducción al universo prodigioso de Ernesto
Sábato; para quien la conoce, un clásico de las letras del continente, una historia sobre el
drama del hombre arrojado en el sinsentido más doloroso: la conciencia de la nada.
El narrador describe una historia de amor y muerte en la que muestra la soledad del individuo
contemporáneo. No están ausentes de esta trama policial y de suspenso, la locura y la increíble
reflexión del protagonista, el pintor Juan Pablo Castel, debatiéndose por comprender las
causas que lo arrastraron a matar a la mujer que amaba, María Iribarne, y que era su única vía
de salvación. En este alucinante drama de la vida interior, seres intrincados en la bestial
búsqueda de comprensión ceden a la mentira, la hipocresía y los celos desmedidos hasta el
crimen más inexplicable. Aventura amorosa, aventura onírica, aventura del ser que dan
testimonio de un asesinato, de cierta memoria culpable y de una valiente introspección.
Técnicamente perfecta y de lectura apasionante, El túnel excede el negativismo ácido de Sartre
y la frenética huida hacia el vacío que plantea El extranjero de Camus, pero tiene de esos dos
maestros literarios la impronta genial que hace de la escritura una radiografía del alma
atormentada.
Insightful reviews
Hadrian: A taut and powerful book, speckled with monologues like the Underground Man's or
Josef K.'s, a violent and 'love story', and a hideous murder out of deluded obsession and
possessive hatred. (This is no spoiler - our narrator tells you all this in Capitulo I).
When it was released in the late 1940s, it was then classified as an existential novel, in the vein
of Dostoyevsky and Camus. Presently, however, it may be regarded more of a successor to the
former, in its psychological portrait of a deranged man and his ugly descent into hatred and
violence.
(Read in the original Spanish/Lo leí en el español original)
Poncho: El túnel is a book about existentialism; it's about solitude, life, a shyness that is
criminally vulgar; it's a story told by Juan Pablo Castel, a man who kills the woman for whom he
fell in love with — well, I wouldn't say it was love, but rather mere curiosity. Personally, I felt quite
connected with the narrator when it comes to shyness and how he spent most of his time
making out anxious possibilities concerning social interaction. Like him, I'm not like to be
surrounded with people who do the same things I do for a living. Therefore, like him, I usually
spend my time alone; but sometimes I can't help it feel attracted to some people. However, like I
said, I wouldn't say it's out of love, but out of curiosity for someone who seem to share that
shyness, that solitude… How disappointing it is when we realise we live in a tunnel and the other
person for whom we feel attracted lives in the outside. The tunnel represents more or less what
the Underground represented for Dostoevsky.
The book is about 150 pages, with very short chapters. I found the first 50 pages terrific, but all
that fuzz in the middle, about María Iribarne's affairs was very, very exasperating. (C'mon,
Castel, give it a break!) But then the last 50 pages resume their strength and are quite amazing,
specially the chapter when Sabato explains what the tunnel means. So here are some
hypotheses, maybe not logical but possible:
1) That you read the book after reading this review.
2) That you have already read it.
3) That you do not read it whatsoever.
4) That you skip this review, which means that you are not reading this at all.
If you choose to follow the first one, there are two hypotheses:
1) That you feel empathy for Mr. Castel and enjoy the book.
2) That you find him annoying.
If you feel empathy for him, there are two possible reasons… Well, not actually: it's most likely
that you are shy, socially anxious and desperate (for the record, so am I) and this book might
suit you well — just canalize your anger somehow else and please stay away from knives.
Talrubei: One of the first things I did after coming back home from my summer trip, is grabbing
Ernesto Sabato's Tunnel for the second time. I had first read it in early 2008. It was in my head
throughout the summer. I felt that I have missed the book and I need to re-read it. By it, I mean
its mood, its characters, its amiable yet aggressive narrative style.
The Tunnel is simply a great novella. It talks about one of the main reasons behind literary
production: human loneliness and the search for a connection with the eternal. The main
character is a painter, Juan Pablo Castel, who gets obsessed with one of his gallery's visitors,
Maria. This obsession with Maria takes up most of the pages and is tiring for us readers, yet so
intense that it becomes contagious.
Life or existence to Juan Pablo is like Maria, and he doesn't seem to understand it. In one
instant he is laying his head on her lap by the shore "like a baby." In another, he is violently
grabbing her arm to get her to confess about something that his doubt created. And, finally, in
another instance he murders her. (dont worry this is not a spoiler, it is actually the first line of
this book.)
This crazy relationship and this obsession is all in Juan Pablo's head and heart and in his
confusion. It is the tunnel that he has created or was born into. A tunnel that is parallel to
everything and never seems to intersect with anything but his loneliness.
With all this being said, the main attraction of the novella, for me, is its impeccable enthusiasm.
Imagine, for example, Albert Camus' The Stranger, Meursault, but with all the enthusiasm. I can
say that Sabato's Juan Pablo Castel is Camus' Meursault but in the opposite direction, with an
overdose of enthusiasm towards his loneliness and confusion instead of Meursault's lethal
apathy.
After reading this book for the second time, I feel energized, enthusiastic, and in the same time
melancholic. The exact feelings that I wanted to remind myself of.
Samadrita: as a way to foreground a sociopath-misogynist-stalker's experience of city isolation
and alienation opposed to a woman's lengthy emotional and actual abuse by the hands of an
identical individual and speak to it existentialist literature, your choice. simply do not count on
me to understand it.
Leftbanker: Hell with it; i am giving every little thing 5 stars. I simply comprehensive examining
this brief novel by means of the Argentine, Ernesto Sábato. how will you now not learn a
publication that starts off with this line:Bastará decir que soy Juan Pablo Castel, el pintor que
mató a María Iribarne; supongo que el proceso está en el recuerdo de todos y que no se
necesitan mayores explicaciones sobre mi persona.(Suffice it to claim that i'm Juan Pablo
Castel, the painter who killed Maria Iribarne; i assume that the trial remains to be in everyone’s
reminiscence and that i desire no extra introduction.)I imagine that's what you are going to
name an arresting opening. seriously inspired through the existentialists (I could imagine)
Sábato’s protagonist struggles with obsession like not anyone you’ve ever known. many of the
scenes are virtually comically pathetic in exhibiting the neurosis of Juan Pablo Castel and his
obsession for Maria. I specially beloved the half while he swiftly wrote her a letter, mailed it,
inspiration best of it, after which attempted to get the letter again from the relatively Stalinist
postal employee. In fact, i feel that i'll simply flip this novel of obsession right into a romantic
comedy, yet i feel that Woody Allen has already made a profession of it.
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