Ernest Hemingway Fièsta Title: Fièsta Author: Ernest Hemingway Format: Paperback Language: Indonesian Pages: 456 Publisher: Bentang, 1120176000 ISBN: Format: PDF / Kindle / ePub Size: 7.6 MB Download: allowed Description The quintessential novel of the Lost Generation, The Sun Also Rises is one of Ernest Hemingway's masterpieces and a classic example of his spare but powerful writing style. A poignant look at the disillusionment and angst of the post-World War I generation, the novel introduces two of Hemingway's most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. First published in 1926, The Sun Also Rises helped establish Hemingway as one of the greatest writers of the twentieth century. Insightful reviews Jr Bacdayan: I’m sitting here in my balcony right around sunset with a bowl of peanuts in front of me and a mug of iced tea in my hand and I’m suddenly thinking to myself I could be in Spain right now. But oddly, it doesn’t seem to appeal to me at all. I’m somewhat annoyed by the possibility of another busy week looming just ahead of me. Wait, scratch that, not possibility but certainty. I’m grossly evading any academic assignment I might have had and am feeling more potent knowing that I’m above it all. Really, the amount of paperwork I have is insanely comical. I’m really considering dropping out of the university out of indolence. I could really use a breather right now. But gallivanting in Spain with a bunch of alcoholic ex-pats? I dunno. There might have been a time when that would have sounded sexy and chic, but those times have passed. Really, I was more interested in the art of bullfighting than the misadventures of Jake and the gang. I had no idea why I wasn’t as keen as I normally was in reading this Hemingway. Is it Hemingway’s prose? God, no. Is it me? Is it the generational gap that led to my indifference? Maybe. Is it all the absinthe? I can’t say, I haven’t been alcohol’s best friend as of late, but it doesn’t seem enough to actually estrange me from literature. Hmmm... What’s my problem then? Till now, I’m actually not sure. It might be the seeming pointlessness of the book, just a drunken adventure after another with no closure at all. But that’s arguable. I get the whole lost generation thing, but I can’t say that it strikes me as particularly redemptive to them. I know that Hemingway wrote this book to contradict Gertrude Stein, to sort of imply that the lost generation wasn’t really lost at all. He put the passage from Ecclesiastes quoting that “one generation passeth away, and another generation cometh… but the earth abideth forever” and “the sun also rises” to signify that no generation was really lost but that they tread on and live despite all the misfortunes and war put in their way. But coping with life through alcohol and endless vacation seems a bit too escapist for me. I don’t want to get preachy, but even I know that’s the life homeless welfare people lead. Well, if you’re looking for escapism, then voilà! Here you go. But, really it’s not the type of book that sends a good message, or even gives you a snippet of wisdom. Maybe, dear old Ernest wrote it thinking here’s how not to cope with a scarred-life, but I very much doubt that. Then again, it might be the only way a man can live without his penis, or a woman can live without her sense of fidelity. Sure, these are broken people scarred by war, rejection, and some just out of plain foolishness, but I hardly think that living such unkempt lives is a result of their lack of childhood. Maybe it is. Maybe, they contained their playfulness all those times of war and now that they’re adults, they’ve channeled it into their lives somehow. But this is all speculation; Ernie didn’t develop his characters beyond their usual desire for an aperitif and a good fuck. Who cares about the psychological well-being of a bunch of alcoholics anyway? Clearly not the author, so why should I care too? Maybe I’m overthinking this stuff. Maybe this was written basically to entertain, and I wasn’t entertained much. I guess that’s what it all boils down to. The fiesta was really something though. I would still have read it just for that. If you want to read this book, good. Don’t let me deter you. If you’ve read this and loved it, great. But, if I changed your opinion in anyway, then let me offer you this excerpt. “While we were waiting I saw a cockroach on the parquet floor that must have been at least three inches long. I pointed him out to Bill and then put my shoe on him. We agreed that it must have just come from the garden. It was really an awfully clean hotel.” That really made me laugh. The free flow of this book, I guess, is what gives it appeal. But the fact that it can have a cockroach type of conversation shows you the general aimlessness of it. With no resolve whatsoever, I’m treating this book as a cockroach from the garden. Hemingway was fairly young when he wrote this, and I know it’s gained popularity because of the lost generation and the total abandonment of responsibility in their adventures thus making it a perfect escapist book, but I simply feel that this is inferior to my previous Hemingways: A Farewell to Arms and The Old Man and the Sea. Still, a sub-par from Hemingway is preferable to the average piece of junk you see in the best-seller shelves these days. Alas, he did better. The sun also rises when you have a particularly bad hangover and it glares at you till you go blind. Well, at least you had some semblance of fun drinking the night before, or so you think. Rakhi Dalal: Jake's final condition frequently escapes the contemporary reader, who lacks the historical context for reading the novel. If one misses the ironic and understated references, it may not seem like "such a hell of a sad story" as it did to Hemingway. Unless one understands the moral background of the period, one may find the Latin Quarter life nostalgically romantic and fail to see the reflection of America self-destructing in the twenties. The blithe reader may see Cohn as the cause of all the troubles. It was not Cohn; it was the times. It was Jake Barnes, impotent in more ways than one, caught in his times, his value system jerked from beneath his feet. He is, finally, the prewar man stripped of all defenses, bereft of values, seduced and abandoned by his times. If at Botin's he gets a bit drunk listening to Brett, perhaps we can forgive him, for both the reader and Jake realize that he is a most ineffectual man in a most unpromising place. These concluding lines from essay "The Sun in Its Time: Recovering the Historical Context" by MICHAEL S. REYNOLDS has prompted me to read the work again. This is a good essay indeed and explains much of the background of this work, which, according to the author is not a tribute to the "Lost Generation". I found his interpretations and opinions interesting. Will be reading this again hence. Sofía (?????): Una novela de imágenes. Vale la pena leer esta novela para apreciar los siguientes detalles: el texto fragmentado, una critica de la novela psicológica y una técnica innovadora empleada por Hemingway. El protagonista de una novela del siglo XIX tiene su biografía, su carácter, su mundo interior, sus opiniones y sus relaciones con el mundo que lo rodea, este personaje posee un cierto intelecto que le permite ver la realidad como un único sistema. Él intenta conceptualizar el mundo, penetrar su espíritu y descubrir la esencia de las cosas. Nosotros lo observamos desde el nacimiento hasta su muerte pasando por diferentes etapas de su vida, los detalles se relacionan con el argumento principal, todas las líneas tienen su desarrollo y su terminación, y el autor nos brinda toda la información sobre los personajes, tanto los principales como los secundarios. No hay nada de eso en "Fiesta". Hemingway introduce un personaje pseudo psicológico de nombre Robert Cohn, a través de él analiza y critica la novela del siglo XIX y crea su propia estrategia en "Fiesta". Entonces, ¿quién es Robert Cohn? Lo que sabemos de él es que en la universidad practicó el boxeo para vencer a sus potenciales enemigos pero no tenía enemigos, nadie lo notaba, nadie quería burlarse de él, no le importaba a nadie. Cohn lee novelas románticas y cree en los estereotipos y el tonto romanticismo que se plantean en ellas. Él no posee verdaderos sentimientos, no sabe apreciar la belleza, estando entre los preciosos paisajes se aburre y se duerme. Cuando él conoce a Brett con quien después tuvo un breve romance, en vez de descubrir su personalidad y enamorarse de sus características reales la trata como si ella fuera una dama de una novela caballeresca. Cohn recrea escenas teatrales deleitándose en su trágico papel, observandose a si mismo desde fuera. Cohn no puede vivir una vida real porque se encuentra cautivado entre las páginas de esas novelas románticas que leyó. Hemingway rechaza este personaje falso y engendra un nuevo personaje (Jake Barnes) – un personaje que está orientado hacia el mundo exterior. Mientras los colegas de Hemingway (me refiero a Joyce, Gide, Huxley) trabajan sobre el hombre que reflexiona, él crea un hombre que observa. «El coche subió colina arriba, atravesó la plaza iluminada y, siempre ascendiendo, volvió a la oscuridad; luego, ya en terreno plano, se metió por una calle oscura, detrás de St. Etienne du Mont; bajó suavemente por el asfalto, pasó entre los árboles y el autobús parado de la Place de la Contrescarpe, y giró por la empedrada Rue Mouffetard. A cada lado de la calle había bares iluminados y tiendas abiertas todavía. Íbamos separados y, al descender por la vieja calle, una sacudida nos hizo acercar. A Brett se le había caído el sombrero y tenía la cabeza echada hacia atrás. Veía su rostro a la luz de las tiendas abiertas, luego se hizo la oscuridad, y después, al desembocar en la Avenue des Gobelins, volví a verlo con claridad. El piso de la calle estaba levantado y había hombres que trabajaban a la luz de las lámparas de acetileno. La cara de Brett era blanca y la esbelta línea de su cuello se perfilaba al fulgor de las lámparas. La calle se hizo nuevamente oscura y la besé.» Para Hemingway observar es verdadero, auténtico, mientras reflexionar está distorsionado por los estereotipos. El autor nos permite mirar a través de los ojos del protagonista (Jake Barnes), ver el objeto al cual se dirige su mirada y sentir las emociones del personaje de la manera más auténtica posible. La conciencia de Barnes busca la apariencia pero no quiere decir que él no piensa nada, eso sería imposible, pero su mente no busca motivos de lo ocurrido, no intenta reducir todo a una fórmula causa y efecto. Sus reflexiones obedecen a una imposibilidad ética de seguir estereotipos, es decir a ser libre. Ahí, en este punto que se presenta en toda la obra de Hemingway nace mi amor por sus historias. Los personajes de este autor siempre están viviendo al límite, la conciencia de la muerte los hace buscar la libertad y el propio "yo". El texto de la novela esta fragmentado en todos los niveles. No existe ni el pasado ni el futuro para los personajes, son como aquellos locos que en la ruta suben a tu auto para bajar en un pueblo cercano y desaparecer de tu vida para siempre. No existe el panorama, tampoco la perspectiva, solo lo particular, lo casual. No conocemos las biografías de los protagonistas excepto la de Cohn que es el personaje pseudo psicológico. Ninguna línea argumental tiene finalización. Las escenas son como las fotos casuales, no se relacionan entre ellas, y la misma estructura se mantiene en los diálogos: no se observa una consecuencia lógica, se crea la sensación de que cada uno habla con sí mismo. La técnica narrativa de Hemingway tuvo repercusión en la obra de Camus. En "El extranjero" se utiliza la misma estrategia pero Camus va más allá. Él elimina todo lo subjetivo, todo lo relativo y nos regala uno de los mejores personajes de la literatura universal: el hombre absurdo. "Fiesta" es una novela de una belleza exótica, creo que es una lectura obligatoria para los conocedores de la buena literatura, para los que saben apreciar lo nuevo y valoran la presencia ética. Chloe: Hemingway hasn't ever been an in depth buddy of mine. we have now had a few dalliances, to be sure, yet he is by no means been one of these writer that I name lengthy distance on a wet evening simply to be reassured by means of the sound in their voice. it isn't that we do not get along. it's only that our dating has consistently been extra like that of friendsof-a-friend. We simply hadn't had the chance to get falling down inebriated with each other and confess the pains and tribulations of existence to every other. thankfully The solar additionally Rises has good enough libations to collapse these interpersonal obstacles and make allowance for a few severe bonding.Alternating among Twenties Paris and Pamplona, The sunlight additionally Rises moves me as not anything loads as a unique being affected by severe quantities of post-traumatic stress. For the world-weary twenty first century reader, it can be tricky to wrap our minds round the sheer historical enormity of the so-called nice warfare that Europe was once nonetheless convalescing from within the 1920s. it really is an comprehensible alienation. because the Treaty of Versailles we've seen villainy and barbarism on a scale that might be unthinkable to the genteel squaddies of WWI: Auschwitz, Hiroshima, My Lai, the Contras, September 11, precision-guided missiles, Pearl Harbor. From WWII ahead the realm has been engulfed in a near-constant kingdom of warfare, either scorching and cold, beamed instantly into our residing rooms because of CNN. those are pictures that we're very time-honored with.To the writers of the misplaced Generation, however, international warfare One got here out of nowhere and fully altered the best way the realm can be viewed. The advances of had made it attainable for people to be exterminated on a scale that boggled the mind. Remember, this can be just a couple of a long time after Alfred Nobel claimed that his invention of dynamite could so surprise infantrymen and politicians that it can herald an period of worldwide peace. Oh to be so innocent! in its place we obtained a continent-wide clash that threw away the gentlemanly principles of wrestle and printed truly the brute animal lurking underneath the veneer of civilization.Is it any wonder, then, that bullfighting types the center piece in the back of this marvelous novel of alienation? A customized steeped in culture and history, the place each circulate is completely scripted and unalterable. A superbly brutal balet among beast and men, violence as functionality art. What may be farther from the barbarity of the good War? This clash among codified habit and brute strength performs out very evidently within the bullfighting scenes, but performs out a section extra subtlely in different sections of the book. Of specific curiosity to me have been the conflicts over woman Brett Ashley, the promiscuous paramour of approximately each male personality within the brief novel.After having a quick affair with Robert Cohn, an American Jew with a crippling inferiority advanced as a result of rampant anti-semitism with which he's always confronted, Brett takes up with Pedro Romero, the younger bullfighter who's the famous person of the fiesta. Cohn reveals himself obsessed, however, not able to enable pass of Brett or see her with one other man. His habit turns into more and more eratic and finally ends up with Cohn bursting into Romero's lodge room the place he unearths the article of his obsession entwined within the younger matador's sheets. the resultant struggle among Cohn and Romero very skillfully turns the bullfighting metaphor on its head as Cohn takes up the function of the matador, very capably heading off Romero's headstrong assaults and dancing round him with an identical ability that the younger Spaniard makes use of within the ring. Likewise, outdoors of the principles of the ring, Romero is published to be simply as obdurate because the bulls he dispatches, taking punch after punch from Cohn but refusing to even recognize his pain, not to mention his defeat. i feel it used to be during this scene the place my nascent love for Hemingway used to be kindled.Some readers will be thrown off through the scenes describing the bullfights (I locate it unusual that violence opposed to animals usually conjures up extra of an outcry than violence opposed to people (perhaps a fabricated from an ingrained cultural misanthropy?) yet that could be a subject for a complete different argument) but those are brief and serve to raised set the level for the nature drama that unfolds within the streets round Pamplona. Hemingway's detailed austerity is on complete show here, he by no means makes use of 5 phrases while 4 will do. but instead of distracting me, because it did in backyard of Eden, i discovered it compelling. Plain-speaking shouldn't ever be stressed with simplicity, as Hemingway very aptly demonstrates here. Now that i have ultimately had an opportunity to get to understand Papa Hemingway, i will be able to inform that we will get alongside particularly good in next literary adventures. Now the single query is which of his works to select up next. Lena Webb: I gave this one famous person simply because I wasn't the right age to drink or quite get pleasure from a lot of something while I first learn it, and that i have not learn it back since.I'm nearly yes i might nonetheless hate it though. Amanda: this can be my favourite booklet of all time. At any rate, it is certainly at the most sensible ten checklist and through a ways my favourite Hemingway (and I do love a few Hemingway). the 1st time I learn this, I enjoyed woman Brett Ashley. Is she a bitch? Sure, yet i do not believe she ever deliberately units out to harm anyone. And it'd be argued that she has cause to be one: her first real love dies within the struggle from dysentery (not precisely the such a lot noble of deaths) and she's bodily threatened by way of Lord Ashley, pressured to sleep at the flooring beside him and his loaded gun (and let's make clear that,no, that isn't a euphemism, simply in case you are a perv). Then we've the only guy who may perhaps make her happy, Jake Barnes. Poor, bad Jake, who does not have a gun, not to mention a loaded one (yup, that is a euphemism--snicker away). i feel Brett is without doubt one of the such a lot tragic figures in American literature. dissatisfied by way of the warfare and the way it irrevocably replaced her life, she attempts to fill the void with alcohol and sex--and destroys herself within the process. However, upon rereading the novel, i spotted how eclipsed Jake have been by means of Brett in the course of my first reading. I additionally learned how I had misinterpreted him in the course of my first reading. i presumed Jake was once as misplaced because the remainder of the "Lost Generation," yet I now think that he's the one person who isn't misplaced (with the exception of invoice Gorton, whose line "The street to hell paved with unbought filled dogs" might be my favourite within the book). If there is someone with cause to renounce on life, it really is Jake. Does he pine for Brett? Yes. Does he come to hate Cohn for his affair with Brett? Affirmative. Does he recover from Brett and become aware of that, whether appropriately outfitted for a sexual relationship, a dating along with her might finish as tragically as all of her different conquests? Abso-damn-lutely. After all, Brett is Circe, in keeping with Cohn, and somebody lured into her mattress will lose their manhood. 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