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Tony Wilkinson
Arranger, Composer, Publisher
United Kingdom, Wroxham
Artist page :
www.free-scores.com/Download-PDF-Sheet-Music-tonywilkinson.htm
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13 [Tango Criollo]
Spatola, Alberico
Creative Commons Licence 4.0
Wilkinson, Tony
Piano and Voice
Tango
Typeset score.
Tony Wilkinson on free-scores.com
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First added the : 2016-02-12
Last update :
13
Tango Criollo
 



          

f


         



 
   
 

  
 

           



   


    
ff




        
   
Introd.
Piano
5
Canto.


Qué
lin


  
Mùsica - Alberico Spatola
Letra - Ángel Villoldo
1914
 
 







- do es bai - lar
un tango a -sí dor - mi - lon.......

  
  3 
  

        


 

    
 

 





















        





 
  
  
         



















  
      
 


9
go - zar,
so - ñar,
       
pp
 

 






13
Cuan

  
-
do
vi - vir,
sentir
las vi - bra -cio - nes en el co - ra - zón!
                  
 
 

  



 
       


 



    
ff




      
 
   
 
con ca - lor
 
 
      


me ba - lan - ceo al com - pás,
 
     


mf

  
   
 
   

Transcription by Tony Wilkinson 2012.



 

  3 
    

 

     


  
3
 
 

                          
17
no sé
lo que
me pa
sa, sien - to
un go - ce sin i - gual.
 
                          
pp
 
 
 








 

    
  

 

  
 
   

   



        
sa - da voyen los bra - zos de mi
   
   
 


21
   
 
  
Cuan - do embe - le -
   
  
bien
Re - bo - sa mi


         

 


 
 
 








  

            


  













ppp
26
  


 
       

 

      







 


 
      




 
pe - cho de pasion


     
me hace muy fe
   

 
31
y
de pla - cer
   
  
   
  


    
 
 
y el gra - to vai - vén de esta dan - za



          






ppp
            

   
 
liz
y es el tre - ce
vo - lup - tuo - so elque
me gu - sta a
              
       






-
 
 



  

 


 
     





 





4
36
    
mi


Qué
lin
-

  
do es bailar

   

    

     




             
   



  

 



  
 
   
 



un tan - go asi dor - mi - lón.....
 3

  
   
 
 














  
       




















  
    
 


41
go - zar,
so - ñar,
       
pp
 

 

 

45


Cuan


 
sen - tir
las vi - bra- cio - nes en el co - ra - zón!
                  



 
 

 
       


 



-
vi - vir,
do


    




      
 
  
  
con do - lor
 
 
 
       


 

3
              

 

mf
 
  
 
   
         
   


  
   
       














 
   
 

lo que


me ba - lan -ceo al com - pás........
49
No sé


 
me pa - sa, sien to
un go -
ce sin i - gual.
































  
 
  
 


ff
pp
 
 
 



       
 






   
 






 



Es
el
53



     
    
tan - go pa - ra bai - lar
     
     


   
     
    
ff
 

 
 

    


      
que el al - ma nos e - na - je
    






 
 
ppp
   



Es
el
61






u
   
     
    
ff
 


na


na
 

   
 
   
 
 

      



y de e - mo - cio - nes nos lle - na.

 
   
 
 

-
ff

      
    
tan - go mi gran pa - sion y
       
      


     
 
  
dan - za muy sin - gu - lar
     
     



       
 
57
-


ff
 



pal
 








-
   
   

     
 
 
pi - ta mi co - ra - zón
     
     
 

 
 


                         

                   


65
cuan - do bai - lo con un criollo sin embro llo y es buen pierna y se hamaca con ar - dor
      

 

ppp







 
         



     

  

 ff
ff
cresc.

 



    



    

5