Untitled - Edition Peters


       
   
 





          



195


san
san


na
in
na
in
ex  cel
ex  cel


sis,
san

na
in
ex  cel

    


   


    



    



in
sis,
in
      



  




    


sis,
in



ex
ex
ex



cel
     

 


 

 >


 
sis.


 
 
 



ff
 




sis.

cel


sis.

cel



 







 

 












attacca
for Richard and Catherine Webber
5.
199
  
S.1 & 2

A. 
Bluesy feel q = c.63


   

p
*




  
  
  
 
Agnus Dei

 



  
 

   


3




 



 

 
  
 



TUTTI VOICES unis.
203
mp espress.
   
 
A
    



    
 
  

mp
 
3

gnus
 
  




   
3
De





i,
  

3
A


 

3



 

    
     

gnus De

i,






 


*If playing this movement with bass, the first four bars should be played as a piano solo, with the bass entering at bar 203.
qui



 

 



cresc.
207
                 


 

    
 
  

lis



cresc.

 

pec  ca



  


Mi  se  re  re no  bis,

mp
   
   
215
S.1
S.2
        
 

f

mi  se  re  re no  bis,

   



f


 

    




  



 
   

di,
 





 




 
   

 
mp
 
 


 
  

3
3
       
mi  se

re

3
3
       

  
bis,
mi  se

re



 

   

    
mp

 
 
 

 






re:
re:






219
   
 




 
   




 
   

*
p
   
 



   

 



  

 
   
3




 




 
     

A.
mp



S.1 & 2
bis,

 


 
   

 

mun


mi  se  re  re,
cresc.

    



3
  
  
bis,

  
     
mi  se  re  re no



 cresc.
    
 

mi  se  re  re no


A.       
 


 
di,

3
 
mi  se  re  re no  bis,
mun
 
 

 
    
 

3
ta


 

mi  se  re  re no
 
   

f
pec  ca
 
 
 


      


 

 
 
   

ta,

mp
211
 
3
3
tol
3
        



   

*If playing with bass, omit the piano left hand in bars 219–222 to allow a bass solo. The left hand re-enters at bar 223.
    
  
 


